Ruth Gilmore says that capitalism will stop being racial capitalism, when all the white people disappear from the story. What’s the connection between “whiteness” and racism, do you think?
Gilmore argues that capitalism started racial in Europe, among groups whose descendants became white. It relies on inequality, which racism locks in. Whiteness forms as the “not-race” pole in this hierarchy. It justifies exploitation by marking some as lesser. Remove white people, and racial capitalism endures. It needs hierarchy, not specific races. You see this in how prisons target surplus labor, regardless of skin. I think the link ties whiteness to inventing racial difference for profit. It hides class war as natural division. Undo one, you must undo both.
Gilmore makes the point that criminals are actually being created by the criminal justice and prison system (she says “the category of ‘criminal person’ can be perpetuated”). According to Gilmore, how does that happen, how does the prison system create new “criminals“? Do you agree with her view?
The system needs constant criminals to feed prisons. It expands the pool. Add more behaviors as crimes. Lengthen sentences. Mark people as “criminal” forever. Reentry fails because labels block jobs, housing. Barriers push recidivism. You cycle back in. This perpetuates the category. Gilmore ties it to slavery’s unfreedom, reborn in U.S. racial order. I agree.
Describe how your understand what Prof. Gilmore – in the last part of her video – calls “liberation struggle”?
Gilmore calls liberation struggle place-based action. You fight where you stand, for your needs. Scale varies, but roots stay local. In Cova da Moura, residents organized against eviction. They formed study groups on colonialism, racism, EU borders. Debates built “pop-up universities.” This sparks consciousness. It forges radical dependency. You rely on each other for life. Solidarity remakes itself through talk and work. It’s deliberate, material. Not abstract. You create communities that sustain, not just survive.
