Angel Artz’s Profile

World History of Animation introduces students to seminal works of animation across time and cultures. The course discusses the evolution of the art form through the lens of technical innovations, socio-political contexts, and aesthetic movements. Students will study works ranging from large productions to independent and experimental shorts, and the influence of different international productions on one another, including Asian and European works and creators.

World History of Animation introduces students to seminal works of animation across time and cultures. The course discusses the evolution of the art form through the lens of technical innovations, socio-political contexts, and aesthetic movements. Students will study works ranging from large productions to independent and experimental shorts, and the influence of different international productions on one another, including Asian and European works and creators.

This course focuses on writing fundamentals for visual media and specifically focuses on the short form. Students study storytelling basics such as protagonist, want, obstacles, antagonist, complication / rising action, climax, along with three-act structure, which is common to screenplays. With assignments in both fiction and non-fiction scriptwriting, the class covers such areas as: Basic research methods How to create character and story How to SHOW action, rather than TELL it How to write outlines and treatments How to format both Nonfiction A/V scripts and Fiction screenplays Learning how writing is rewriting. Designed as a workshop in which students will develop multiple drafts for the fiction and nonfiction scripts, the course also teaches how to give and receive good criticism on peers’ work. The aim of the course is to help students develop basic skills necessary to write and revise scripts for upper-level VAT production classes and beyond.

This course focuses on writing fundamentals for visual media and specifically focuses on the short form. Students study storytelling basics such as protagonist, want, obstacles, antagonist, complication / rising action, climax, along with three-act structure, which is common to screenplays. With assignments in both fiction and non-fiction scriptwriting, the class covers such areas as: Basic research methods How to create character and story How to SHOW action, rather than TELL it How to write outlines and treatments How to format both Nonfiction A/V scripts and Fiction screenplays Learning how writing is rewriting. Designed as a workshop in which students will develop multiple drafts for the fiction and nonfiction scripts, the course also teaches how to give and receive good criticism on peers’ work. The aim of the course is to help students develop basic skills necessary to write and revise scripts for upper-level VAT production classes and beyond.