Readings

Teodorczuk, T. (2018, June 9). What is the real value of winning a Tony Award? MarketWatch. Retrieved from […]

Nelson, S. (1995) Broadway and the beast: Disney comes to Times Square. Theatre Development Fund. 39(2). Retrieved from […]

Etwaroo, I., and Leon, K. (2020, June 10) A new world awaits us. American Theatre. Retrieved from https://www.americantheatre.org/2020/06/10/a-new-world-awaits-us/

Barker, J. M. (2012, October 7). Don’t confuse reviews with true criticism. New York Times. Retrieved from https://www.nytimes.com/roomfordebate/2012/10/07/do-we-need-professional-critics/dont-confuse-reviews-with-true-criticism

King, J. (2020, October 19). The drama that raged against Regan’s America. BBC. Retrieved from https://www.bbc.com/culture/article/20201019-the-drama-that-raged-against-reagans-america

Purdum, T. S. (2018, February 1). South Pacific, the Rodgers and Hammerstein show that re-wrote the rules of […]

Sengupta, P. (2014) Theatre: A playwright’s illusion. India International Centre Quarterly, 41(2) 113-120. Retrieved from https://bmcc.ezproxy.cuny.edu/login?url=https://www.jstor.org/stable/24390754

O’Neil, T. (2017, March 16) The actor’s guide to delivering a monologue. Backstage. Retrieved from https://www.backstage.com/magazine/article/need-know-delivering-next-monologue-5067/

Cook, L. (2018, April 26). Three ways to build a character. Backstage. Retrieved from https://www.backstage.com/magazine/article/ways-build-character-1327/

Archer, W. (1886). The ethics of theatrical criticism. About the Theatre: Essays and Studies. T. Fisher Unwin: London. […]