Gallery Projects – English 101-1221 Fall 2021

December 7, 2021December 7, 2021

Stop Asian Hate;0

In a world where people fear for their safety. That’s so broad that it can be anybody considering how society is now. Specifically though, asian hate is something that has been increasing and has become a concern to many asian artists. Due to covid-19 asian hate crime has been more severe and musicians have unfortunately suffered the consequences. That didn’t stop them from making a change by being a voice that wasn’t left unheard. We need to inform people what really is occurring behind the scenes to truly stop asian hate crimes happening to pleanty of people around the world.

Asian hate, what really is it and why is it going on? Asian hate basically is when people go out of their way to verbally and or physically abuse the asian community. In one article “I Still Believe In Our City” it states”NYC hospitals saw a spike of nearly 200,000 patients, Asian and Pacific Islanders (APIs) faced an added threat: blame, racism, and xenophobia” this shows that the increase of covid-19 patient the more dangerouse Asian lives will be at risk. Many people believe that China started covid on purpose to hurt the Americans this alleged accusation affecting the whole asian community. This is all causing many people from discriminating against them and intentionally causing harm.

In the article “Anti-Asian hate crimes rose to 73% since 2020” it states “ Anti-Asian hate crimes increased more than 73 percent in 2020, according to newly corrected FBI data”

The time period of this article as well matches with the timeline of the Covid-19, this just proves my point and the severity of asian hate as the crime rate is over 50% and which is still rising till 2021.

The asian community with the tender and loving heart they have they continue trying to battle this societal conflict with music bringing peace but even then people continue with their heartless acts. In San Francisco there is a violinist with the name of David Kim. A talented person who would play classical music to bring people together but yet still would get disturbed by racism in his own music community. An article named “Asians Are Represented in Classical Music. But Are They Seen?” written by the New York Times it states “he felt his white colleagues in San Francisco, who make up 83 percent of the orchestra, did not share his urgency about building a culture more welcoming to Asian, Black and Latino players.” This demonstrating that even with his peers knowing his background are yet not supportive to make him feel welcomed into the orchestra. Later in that article kin himself stated “I felt invisible, even though I was speaking very loudly,” Music being a passion for Mr kim but still didn’t feel comfortable or welcomed

Another famous artist based in New York city Amanda Phingbodhipakkiya , she has made many art works to stop the asian hate, you can see all of her work through subways, buses, and streets from graffiti, posters and even quilted artwork. She has said she once was about to sit down in the subway somebody said” ew gross get away from me” this just demonstrates how bad this asian hate has become.

Asian hate is getting out of control after the covid 19,not only toward older people but also on younger populations. and that NEEDs to be fixed. Many Asian elderly women would get hurt for that reason. Some would get robbed, stealing their purse, and hurting them, in the worst case scenario some would get shot. Many people might say “oh it’s not that bad, that’s because they’re old so they get hurt for their loot” which is false, because younger people are getting in school by peers that “joke” around. From experience kids in my school would always bully me and say “ go back to China” “you Chinese people be eating anything” “get away from me you have covid”

“ don’t all Asian have covid” the list goes on and on and on.

In conclusion Asian hate has REALLY gotten out of control, and more people need to know and try to come together and help each other to stop covid and not sit there and blame a certain group for starting and putting all of the hate toward them. We could all stop this by working together so the Asian population can feel save by going outside without the fear of them not seeing tomorrow’s sun.

Sited sources

Temblador, Alex. “How Amanda Phingbodhipakkiya Uses Art to Battle Anti-Asian Hate.” Shondaland, 2 Nov. 2021, https://www.shondaland.com/act/a35916770/amanda-phingbodhipakkiya-uses-art-stop-asian-hate/.

Venkatraman, Sakshi. “Anti-Asian Hate Crimes Rose 73% Last Year, Updated FBI Data Says.” NBCNews.com, NBCUniversal News Group, 25 Oct. 2021, https://www.nbcnews.com/news/asian-america/anti-asian-hate-crimes-rose-73-last-year-updated-fbi-data-says-rcna3741

“About.” I Still Believe, https://www.istillbelieve.nyc/about.

December 6, 2021December 6, 2021

The Black Panthers & Art and Social Change

By Darren Jean – Baptiste

The United States is home to many different communities from places all around the world, and with this diversity comes different backgrounds, and different stories of pride and struggles. Social change is also present within these communities, and along with that, social change comes with art in many different forms, posters, murals, and many other types are heavily used. The Black Panther Party of the sixties utilized art as much as they could, through posters, flyers, and symbolic images. The Black Panther Party chose the Black Panther as their symbol to signify freedom and strength. The art work below shows how the Black Panther contrasted the Rooster which has sharp ties to White Supremacy. The panther was a symbol of change and opposition to an oppressive country that held the Black Community down for hundreds of years. Through art work they were able to push Black Liberation in the United States and fight against their oppressors.

The Black Panthers used artwork posters to promote their ideals as well. The poster down below promotes the end of violence perpetrated on the Black community, especially by the hands of police, which was a very big issue in Black communities in Oakland, California. “An Attack Against One Is An Attack Against All”. This quote shows the unity that the Black Panthers represented, and “The Slaughter of Black People Must Be Stopped! By Any Means Necessary!” takes influence from Malcolm X and his iconic “By Any Means Necessary”. It was a call to the end of racial violence in the South, and all over the country.

The Black Panthers also used artwork to express their ideas and beliefs as well. During the 60s, the Vietnam War was a burning topic. Many believed that the war was not America’s business, and those who were being sent to fight for their lives were being sent to die in vain. Many came back with mental health issues, and devastating consequences. The Black Panther Party believed that the Vietnam War was also not Black people’s fight, and their fight was here dealing with the oppression and racism in their own home. It made the point which was, why are Black people fighting in a war that is not for them? Especially while being in a “battle against our own country”. The tears symbolized the pain felt by those in war. The helmet showed the reality that Black people faced in their own country. This was a similar opinion for many different social change groups, such as the Peace Movement which also had an opposition to the war.

The Black Panthers also used artwork to promote their political endeavors, such as Eldridge Cleaver. Symbols that represent peace, freedom, and strength were common artistic tools used by the party. The Panther represents the Black Liberation, and the dove as another form of freedom. When Black Panther Party leaders were arrested due to their work such as Huey Newton, artwork was also used to spread awareness in the form of a petition to see a Panthers release. They used artwork to rally support for their causes often.

The Black Panther Party also had different styles of artwork in order to promote the party and its goals. Such as these two Black children holding pictures of the Black experience in the United States. The poster is headed with the statement “For the young, the old, the poor and the Black, living in America is brutal.” The girl on the right holds a poster which asks for the end of Black Oppression and the oppression of all people of color in the United States. This piece of artwork is extremely important considering that the youth was most affected by the oppression that Black people and people of color faced in the United States. They are the future and the ones who will cause social change as they grow older. They feel and experience these things just as much as older people, and their pains and worries are valid .

The Black Panther Party, in its opposition to Police Brutality, used artwork to present this. The symbolization of a pig in American society is a filthy low animal. To make the connection to pigs and police men, was a strong one. It showed that the BPP viewed the police as such, in response to the constant oppression and brutality that they faced. The shotguns surrounding the pig represent the Black Panther Party, the shotgun was a common choice for the Party. It was a direct shot at the police and the injustice that constantly occurred. The poster reads “Out of Order” and “Community Control of Police”, stating that the current police is not effective enough, and that the BPP must step in to gain control over it, and correct it to make sure that the needs of the Black Community are being met. It’s also notable that Huey Newton and Bobby Seale also had run-ins with authority in Oakland which influenced this idea.

The Black Panther Party was a symbol of social change and Black Liberation at its finest, it was revolutionary and wasn’t afraid to spark flames in a country where Black struggles were undermined. The artwork shown goes hand in hand with social change, as the depictions enforced their views and ideals on numerous levels, such as the Vietnam War, and police brutality, which were huge topics of the time, and still are today. The BPP symbolized change on many levels, and was a genuine voice for Black America. Even though the political party is not as prominent as it once was, it’s ideals and truths hold relevance today and will continue to be.

Works Cited:

“The Women behind the Black Panther Party Logo.” Design Observer, https://designobserver.com/feature/the-women-behind-the-black-panther-party-logo/39755.

Mckinley, Angelica, and Giovanni Russonello. “Fifty Years Later, Black Panthers’ Art Still Resonates.” The New York Times, The New York Times, 15 Oct. 2016, https://www.nytimes.com/2016/10/16/arts/fifty-years-later-black-panthers-art-still-resonates.html.

Gedal, Anna, et al. “Black Panthers: Art and History.” Behind The Scenes, 21 July 2015, https://behindthescenes.nyhistory.org/black-panthers-art-history/.

“The Black Panther Party: Challenging Police and Promoting Social Change.” National Museum of African American History and Culture, 23 Aug. 2020, https://nmaahc.si.edu/blog-post/black-panther-party-challenging-police-and-promoting-social-change.

December 5, 2021December 6, 2021

#SiMeMatan #IftheyKillMe

by Liz Cortes

*PICTURE from: Sobhi Damasio, Nazly article, WN Wears your voice, 5^th May 2017. https://www.wearyourvoicemag.com/cinco-de-may*o/.

The next audio tells the history of the Lesby Osorio murder, and its influence on feminist movements.

Live with no fear, is the wish of every woman in Mexico, and around the world. Not fear to walk in the streets, not fear to wear what they want, no fear to be themselves. According to the Economic Commission of Latin America and the Caribbean (ECLAC), up to 40% of the women of the region are victims of physical violence and in some countries around 60% suffer emotional violence. The high level of oppression and femicide increases the fear and the wrath of women.

Women are fighting for their rights, against the corrupt government which has shame and blames women for the violence and murders. Cases, as #SIMEMATAN was the social movement, caused unfinished and blaming reported of the death of Lesvy Osorio on March 3, 2017, a student of the Universidad Autonoma de Mexico campus in Mexico City. After finding her body in a payphone with the phone cable in her neck. The authorities publicized that she dropped school, used drugs, and drank with her friends and that she committed suicide as a consequence of her unstable life, without having done any investigation of the case. This with a bare intention of digging deep into the matter and making this woman’s death one more of the history.

The family raged and hurt by the situation, disagreed, and decided to sue those in charge of their daughter’s case, with the expectation that a forensic investigation would be carried out and the truth of Lesvy’s death would be revealed. The lawyer of the family manifested that the security cameras record was altered and they can only see how Lesvy and her sentimental couple argued, Lesvy is hit by Jorge and pushed to a payphone booth, after this the camera is shut off with no reason, and at 2 am of the morning they saw Jorge walking out alone.

2 years later investigations in forensic evidence deduced that it wasn’t a suicide, the cable didn’t have any knot as to allow himself to be hanged and the blood in her nails, as believed she used in self-defense, was from Jorge Luis Gonzales.

The younger’s family and millions of Mexican women manifested her nonconformity against the government and social networks that in past years criminalized Lesvy of her own death. #SIMEMATAN was the tag that millions of women use to criticize the authority’s prejudice of Lesvy’s life, manipulation of information, and injustice. Using it to express what the media and the government will say to blame women if they are killed. Some of the twitters mentioned #If they kill me will be for my way of dressing, live or be, for use public transportation or travel alone, to have relations or doesn’t be submissive to a relationship.

Translation: “#iftheykillme Authorities your duty is to investigate not justify” by Student during a protest after the death of Lesvy Berlín Rivera Osorio.

Featured images courtesy of a Knoll Soloff, Andalusia, Latin America, News, Women’s Issues, 10 May 2019. #SIMEMATAN began a way of expression of millions of women on Twitter and in social media to say no more to the femicide in Mexico and Latin America. Journalists, artists, and famous manifested identified with the movements, and join them with their writings, music, and some twitters around the world. Some examples are:

On May 2, 2019, the titular of the head of the Mexico City Attorney General’s office (PGJDF), Ernestina Godoy, apologize to the family for “declaring her death as suicide with any proof that all”. Lesvy’s mother, Araceli Osorio, deserve it but it is not enough to heal all her pain and the millions of women have suffered, in the conference, she added that: “we aren’t going to keep only our eyes in you, we are going to keep all our senses to defend women’s life rights”.

De CrisCastilloVel – Trabajo propio, CC BY 3.0, Marcha en la -UNAM contra -feminicidio de -Lesby, Wikipedia, https://commons.wikimedia.org/w/index.php?curid=58623426

Millions of incidents like these occur daily in Mexico, Colombia, Argentina, and many countries around the world. Labels like

#SiMeMatan -#IfTheyKillMe

#NiUnaMas- #NotOneMore

#NiUnaMenos- #NotOneLess

#VivasNosQueremos- #AliveWeWantUs-

#ParenDeMatarnos — #StopKillingUs

#ElEstadoesResponsable — #TheGovtisResponsible

#ParoMundialdeMujeres — #WorldwideWomensStrike

#AbsoluciónaHigui — #AcquittaltoHigui

#LibertadMilagroSala — #FreeMilagroNow

Are the representation in social media, in banners, in songs, in paintings, in Graffiti, in streets, in news, in the life of many mothers, daughters, students, artists, singers, and dreamers.

Songs as “Cancion sin Miedo” —“SongWithoutFear” by Vivir Quintana ft. El Palomar, becoming a hymn for feminists and Expression of the pain and indignation of every woman violated, force, tortured, outrage, stripped of herself.

Every country has taken this song and shaped it with their women, with their fighters. This song has resounded in the hearts of many women and is a representative song against corrupt governments, and a call to speak up, and loud.

Another representative song is “Si Me Matan (If They Kill Me)” composed by Silvana Estrada, characterized by her “poetic style”, composing to love, freedom, sacred, life, justice, lose, and reunion. She wants to join every woman as a sister, and the fear is something that all of us overcome.

She published “trying to calm the painful and enormous wound that gender violence leaves us every day in our country and the world”. She mentioned that writing this song took her a lot of time to achieve because she wanted to find a way to compose a healing song for herself and others.

In her music video in collaboration with PRIM Public Project, (a historic space where union, culture, and creativity are celebrated – about PPP, Proyecto Publico, https://www.proyectopublicoprim.com/aboutppp) she mentioned that “in Mexico, more than 10 women are murdered per day”, a very worry and the scary number of deaths, most of them are not clarified until the date.

At the beginning of the song, you can see an empty, and abandoned building with a sensation of peace and loneliness, Silvana is sitting in front of different women of different ages.

She began singing: If they kill me

If they kill me,

when they find me

may they always say

may they always say?

That I was a singer,

living dreams.

That, like everyone,

I grew up with fear.

And, even then,

I went out on my own

to see the stars above,

to go for a sunny stroll.

And, even then,

I went out on my own

to see the stars above

to love life, love.

If they kill me

if they find me,

cover me in flowers,

cover me with earth.

For I shall be a seed

for the ones who come behind,

we are no longer silent,

nothing holds us back.

And let the songs be heard

like a warm mantle

healing the wound

of what we’ve lost.

That a cry, like thunder,

grasps us out of the grief.

They’ve taken so much from us

They’ve taken away our fear.

May hope prevails,

just like the sky is blue.

Looking at each other’s faces.

Sister, I love you.

translation by Paulina Duran.

All the women presented cry, even when I listened to her, I feel the pain and fear, that every Latin American woman carries, is released. we have been afraid, a lot… but now that they have taken so much from us, we can no longer allow them to take away from us out of fear the most precious thing that we have: life.

Silvana got to show the vulnerability transformed now in union and strength. she praises the women’s dreams and lives. this is so joyful; every single woman that has felt fear now feels understood. Every single effort to go out alone, walk late to home, or be driven by a stranger is now worth and sing of the fortress. Silvana gets her target of “soothe the painful and enormous wound” that femicide cause.

RESOURCES:

Original song- Silvana Estrada, Si Me Matan, YouTube, https://www.youtube.com/watch?v=oeU7rb-dBow.

Si Me Matan – Silvana Estrada (Lyrics Esp & Eng), https://www.youtube.com/watch?v=SirZ_TT5AzE, YouTube, 4 May 2021,

“Si me matan” de Silvana Estrada una revolucion con esperanza, https://rollingstone.com.mx/si-me-matan-silvana-estrada-entrevista/, ROLLING STONE MEXICO, 24 March 2021.

Instituto Interamericano De Derechos Humanos, http://www.iidh.ed.cr/multic/default.aspx?Portal=IIDH,
IIDH.

Meow, MAG, Por Olivia Meza de la Orta, https://meowmag.mx/el-canto-de-esperanza-y-fuerza-de-silvana-estrada/, 15 March 2021.

Knoll Soloff, Andalusia, If They Kill Me, Latin America, News, Women’s Issues, https://www.latinousa.org/2019/05/10/iftheykillme/, 10 May 2019.

#SiMeMatan, Twitter, https://twitter.com/search?q=%23SiMeMatan.

Feminicidio de Lesvy Berlin, Feminicidios en Mexico, Wikipedia, https://es.wikipedia.org/wiki/Feminicidio_de_Lesvy_Berl%C3%ADn, last date edited 3 dic 2021, 01:35

PPP, Proyecto Publico, location General Prim 30, 32 & 34, Col. Juárez, C.P. 06600, CDMX, https://www.proyectopublicoprim.com/aboutppp.

December 5, 2021December 6, 2021

Gorillas in the Concrete Jungle

Eliana Grajales

Women all around the world are told that modesty is everything, covering up is important or else you’re pretty much labelled a whore.. But why when a woman understands this sentiment and prances the streets covering herself with a monkey mask she’s “batshit crazy”? Oh! Excuse my language, I meant gorilla. The Guerrilla Girls is an organization of anonymous women donning gorilla masks while appearing publicly and one of their first battles in the art world was fighting the hypocrisy of men only letting women into museums when nude modelling. So much for modesty, am I right folks? They have been making posters to combat social issues specifically regarding artists since 1985 such as sexism and racism but some might say that their comedic approach may be too provocative.

Provocation has two highly known meanings; to be overly sexual or to be offensive. Both can be applied in this context but I believe that whatever women do and have done can and will be labelled as such in a overcritical way, therefore the Guerrilla Girls artistic medium will be stereotyped in that way regardless. Personally, I do agree that the Guerrilla Girls posters are provocative.. But is that a bad thing? The issues that they touch upon run deep and no changes will be made through making people “comfortable.” People need to be scared of these issues, appalled even, and that will not happen if this group isn’t bold or “offensive.”

The Guerrilla Girls most famous poster Do Women Have To Be Naked To Get Into The Met. Museum? was one piece of art to test social boundaries. On said poster there is a seemingly naked woman with her back to the viewer with a large gorilla mask bearing huge teeth. This piece of art was hung up all over the streets of New York city with the goal of appearing provocative to both grab people’s attention and address the issue that the Metropolitan Museum of Art had with barely letting female artists display their pieces inside. The majority of women got into the Met. by nude modelling for male painters and/or sculptors. Despite provocation working to the Guerilla Girls advantage on the streets The Public Art Fund had denied their poster to be made into billboards. In the end the Girls settled with buses as a chariot to spread their ideas.

Another poster that can be seen as provocative is LET’S TOAST IRISH ART, LADS! This one I found quite funny with how the feminist group points out the hypocrisy of toxic masculinity in Irish museums. The tone in which they use is snobbish when mocking the practices of catering to male artists and the satire is hard to miss. Now how is a poster of a brew next to a shot glass in any way provocative? It’s all in the wording for this poster! Especially the part where they refer to Ireland’s art academies as “seminal.”

The Guerrilla Girls ultimately used their comedy, offensiveness, boldness, and creativity to better their art. Their approach to addressing issues definitely reminded me of a feminist icon, Rosie the Riveter. We Can Do It! Was made initially to recruit women to work during World War II but the poster inevitably spiraled into much more. Rosie is now an inspiration to people like me and a representation of feminism in the early twentieth century. Although Rosie doesn’t address half of what the Guerrilla Girls do in their art, she does spread more awareness due to her popularity.

So that being said, if I want to go around New York city hanging up posters while posing as a weird mix between Marylyn Monroe and King Kong then I’ll do so, CHAD! Sometimes weirdness and vulgarity draws people’s attention to a cause and the Guerilla Girls do exactly that with both their looks and their art. Being provocative is what they do and have been doing for a long time and it sure is effective! If I saw a bright yellow banner in the middle of the sidewalk with a naked lady-gorilla hybrid I’d definitely do a double take, wouldn’t you?

Sources:

Britannica, The Editors of Encyclopedia. “Guerrilla Girls.” Encyclopedia Britannica, 4 Dec. 2018, https://www.britannica.com/topic/Guerrilla-Girls

Manchester, Elizabeth. “Do women have to be naked to get Into the Met. Museum?.” Guerilla Girls Talk Back art portfolio, 1989, https://www.metmuseum.org/art/collection/search/849438

J.Howard Miller, “We Can Do It,” poster, produced for Westinghouse/The War Production Coordinating Committee, 1942, National Archives, Powers of Persuasion https://americanhistory.si.edu/collections/search/object/nmah_538122

December 4, 2021December 6, 2021

Propaganda Billboards

By Viktoria Borosan

When traveling to Hungary, one of the few things one may notice upon arrival, besides the strange language and the pothole filled roads, are these rather densely placed billboards with usually blue backgrounds and white text causing the locals to either roll their eyes as hard as humanly possible or vehemently shake their heads in agreement.

The government started its aggressive propaganda projects in 2015, when a significant mass of migrants from the Middle East fled to Europe. Although most migrants only wanted to go through the country, heading towards Germany or Sweden, Hungary shut down its services and remained hostile about the idea of accepting migrants into the country, or the European Union for that matter (Hartocollis and Bilefsky).

This led to building fences at Hungary’s borders and several manipulative billboard projects, now at a total expenses of $136 666 666, issued by the government to win the support of the country’s citizens. The billboards are used to keep up the façade of democracy by advertising the countless referenda that have been issued since 2015 on topics such as the migration crisis, tax regulations or the censorship on the display of the LGBTQ+ community in the media. Additional purposes for billboard projects consist of but are not limited to the villainization of the opposing parties’ representatives as well as of civilians, such as György Soros, the slandering of the European Union, mainly for its projects of integration for already present immigrants, and the constant praising of the present government.

The result of these manipulative and invasive billboards is a now highly Anti-Muslim, Anti-Semitic, racist and homophobic Hungary.

“Referendum 2016 against forced immigration. Let us send a message to Brussels so they will understand!” Source: NOL.hu

“Let us support Viktor Orbán’s [Prime Minister of Hungary] program, let us stop immigration!” Source: 24.hu

“You, too, have the right to know what Brussels is about to do!” Source: index.hu

Although the government’s supporters keep increasing in number at a worrisome rate, several groups and organizations do their best to spread the truth about the European Union’s plans of dealing with the migrant crisis and the Hungarian government’s “preventive” actions. Those, who take the time to do their own research, often respond by leaving their comments on the government’s billboards, thus reclaiming these public spaces.

“Referendum 2016 against forced immigration. Let us send a message to Brussels so they will understand! *There is no toilet paper in the schools*.” Source: nyugat.hu

“For us, Hungary comes first! *I don’t know who comes next but they should be warned*” Source: nyugat.hu

“Let us stop Brussels! National Consultation 2017 *But they should keep sending the money, right?*” Source: propeller.hu

As the year 2021 began and the crisis caused by COVID-19 dramatically worsened in Hungary, with over 3 000-5 000 new daily cases in a country with a population of less than 10 million, one would have expected the government to rather spend on healthcare than on propaganda. One must admit, they did issue a smaller billboard campaign about getting the vaccine, however their main vendetta this year targeted the members of the LGBTQ+ community (Detrekői).

By starting off the year with the passing of a law that prohibits single and/or gay people to adopt children, the Hungarian government has set the tone, which later on led to the passing of the “reformed pedophile” law. The new law was initially meant to add to the list of crimes that suffice as sexual crimes against children, however, by the regulations set within, it is now prohibited to represent the members of the LGBTQ+ community in the media, so that children are not exposed to the topic. An example of this is the fact that any movie that has an LGBTQ+ character in it can now be broadcast on national television only after 10 pm. To gain support for this law, yet another referendum was scheduled, along with a billboard project to advertise it, which, this time, was customized to reach younger audiences by the utilization of emojis, as well (Vass).

“Are you worried about your child’s exposure to the sexual propaganda?” Source: 444.hu

“Does illegal immigration outrage you? Fill out the National Consultation!” Source: index.hu

“Does Brussels make you angry? Fill out the National Consultation!” Source: ATV

“Would you raise the minimum wage? Fill out a National Consultation!” Source: Alfahír

The fact that the majority of the new billboards contain a negative message and attempt to villainize a group or organization tells you all you need to know. The government has been trying to spread fear among the citizens of Hungary for over 6 years now and many believe that the results of the elections in 2022 will be the true reflection of just how good of a job the governing party has done.

The reason some Hungarians see a beacon of hope for change is the amount of rage the latest project was met with. More people began to feel like the government is being condescending towards them with the way they presented such important topics in a childish, beyond manipulative way. As a result, most billboards that opposers came across were simply torn down with respect to the few that already carried a message to the issuer.

“Are you afraid of the sexual panda? Fill out the National Consultation!” Source: 444.hu

“Does Brussels make you angry? *Brussels is a city. You are making me angry, Viktor!*” Source: HVG

With the new year getting closer, the people of Hungary are expecting the heavy dose of propaganda that comes with the elections with a tired soul, because opposer or supporter, hate will never bring peace to anybody. It is now in the hands of the citizens to bring change to the country and turn the hopes for a happier, richer, more open-minded Hungary into reality, if they are willing.

Works cited:

Hartocollis, Anemona and Bilefsky, Dan. “Train Station in Budapest Cuts Off Service to Migrants.” The New York Times, 1. Sep. 2015, https://www.nytimes.com/2015/09/02/world/europe/keleti-train-station-budapest-migrant-crisis.html?ref=oembed.

Detrekői, Zsuzsa. “The Hungarian Pedophile Law: How Talking About LGBTQ Will Land You in Trouble.” The CMDS Blog, 3. Aug. 2021, https://medium.com/center-for-media-data-and-society/the-hungarian-pedophile-law-how-talking-about-lgbtq-will-land-you-in-trouble-d2ce9f5fa269.

Ábrahám, Vass. “Fidesz Gov’t’s New Political Ad Campaign Uses Emojis to Advertise Nat’l Survey.” Hungary Today, 8. Jul. 2021, https://hungarytoday.hu/fidesz-government-billboard-campaign-emojis-natl-survey-soros-migration-taxation/.

December 3, 2021December 6, 2021

Queen of Soul Fights for Civil Rights – First Draft

Sarah Arzberger

The legendary Aretha Franklin was born March 25th, 1942 in Detroit Michigan. She is best known as the Queen of Soul. Some of her accomplishments are 18 Grammys, the first woman in the Rock and Roll Hall of Fame, 73 songs that charted in the Hot 100 (a record that lasted 40 years), her voice was deemed to be a natural resource and was inducted into the Michigan Women’s Hall of Fame. But not only was Aretha a music icon, but she also used her talent and platform to help fight in the Civil Rights Movement. Dr.Bernice King called Franklin a “Shining example, of how to use art to support social change.” It’s not a surprise that she would become involved with the Civil Rights Movement because her father Clarence LaVaughn Franklin was close friends with Martin Luther King and was the one who orchestrated the 1963 Detroit Walk to Freedom which is the second-largest demonstration for civil rights in the US. As a teenager, Aretha would sing in the choir at her father’s Church and at 14 she released her first gospel album. At the age of 16, she went on tour with Martin Luther King which she would sing Gospel Music. It wasn’t until the 1960s when she was 18 did she transition from sacred to secular music with her father’s blessing. It wasn’t long after that she started producing hit after hit.

“R-E-S-P-E-C-T, find out what it means to me” is A classic, a hit, an anthem, and one of the most well-known songs on the planet. Respect by Aretha Franklin is a song where you read the lyrics and the tune starts to play in your head. For me, I know the song Respect as the song that taught me how to spell the word respect but it’s actually an anthem for the racial and gendered political movement. The song was originally written and recorded by Otis Redding in 1965 but had a completely different meaning. The meaning of the song was from a male perspective. Otis sings about how he should have respect from his women when he returns home after a long day at work. He uses names like a little girl, baby, and honey. And mentions how all the money goes to her but there is no respect. Aretha then takes Otis’ song and turns it upside down. She said “Well, I just love it. Of course, that became a mantra for the civil rights movement. ‘Respect’ is just basic to everyone: everybody wants it […] Everybody wants and needs respect. It’s basic to mankind. Perhaps what people could not say, the record said it for them.” In 1967 Respect became an anthem of the Civil Rights campaign and Feminist Movement. In 2016 Aretha told Elle Magazine “she was stunned by its success and it was the right song at the right time.” One thing I found fascinating was it didn’t matter how famous Aretha became she never lost sight of her sense of activism. It was in her contract to never play to a segregated audience. Not only did her music shine a ray of light on the Civil Rights Movement but also helped with musicians seeking royalties. The New York Times article “ How Aretha Franklin’s ‘Respect’ Became a Battle Cry for Musicians Seeking Royalties”, states that “In recent years, “Respect” has also become a battle song in a fight over digital rights. Laws passed in the 1990s let performing artists collect royalties from internet and satellite radio, but songs were exempt if they were recorded before a change in federal copyright law took effect in 1972.” This is just a prime example that Aretha Franklin not only helped during her time but her music, later on, got to help other musicians obtain royalties for their music.

Besides writing amazing hits and anthems, Aretha helped support the Civil Rights Movement in other ways. She played and held free concerts, paid for many Civil Rights tours and campaigns while Martin Luther King jr was alive, and housed activists and helped them fundraise. Many would say that she was not just an entertainer but an inspiration. According to Quartz web article “When Aretha Franklin Offered to Post bail for Angela Davis” states “reporting her intention to post bail for the black power activist Angela Davis, who was being held in prison in connection with the escape attempt of prisoners from a California courtroom, in which several people were killed. (She would eventually be acquitted.) At a time when Davis was called a “dangerous terrorist” by President Richard Nixon, Franklin didn’t hesitate to risk her reputation and money to support the now-legendary civil rights activist.” Whether it was $100,000 or $250,000 Aretha Franklin did not care and just wanted to do what was right despite what others would think, especially her father. Aretha said My daddy (Detroit’s Rev. C.L.Franklin) says I don’t know what I’m doing. Well, I respect him, of course, but I’m going to stick by my beliefs. Angela Davis must go free. Black people will be free. I’ve been locked up (for disturbing the peace in Detroit) and I know you got to disturb the peace when you can’t get no peace. Jail is hell to be in. I’m going to see her free if there is any justice in our courts, not because I believe in communism, but because she’s a Black woman and she wants freedom for Black people. I have the money; I got it from Black people—they’ve made me financially able to have it—and I want to use it in ways that will help our people.” Throughout her life, Aretha Franklin remained a prominent voice and face for African American Civil Rights.

August 16, 2018, is a day that the world lost a legend. Unfortunately, Aretha Franklin passed away from an illness in her pancreas at the age of 76 in Detroit Michigan. Although she may not be here, her music will keep her spirit alive. One of her close friends, President Barack Obama said “Aretha helped define the American experience. In her voice, we could feel our history, all of it and in every shade—our power and our pain, our darkness and our light, our quest for redemption and our hard-won respect. May the Queen of Soul rest in eternal peace.” Everyone remembers Franklin’s work in the music industry but her work in the Civil Rights Movement has changed the world and helped so many people. That is why Aretha Franklin’s art has helped make a huge difference in many different movements.

Work Cited

BBC. “Aretha Franklin: The Sound of the Civil Rights Movement.” BBC News, BBC, 16 Aug. 2018, https://www.bbc.com/news/world-us-canada-45216581.

Josephs, Brian. “Aretha Franklin Rose with the Civil Rights Movement.” Billboard, 6 Sept. 2018, https://www.billboard.com/music/pop/aretha-franklin-civil-rights-movement-8470735/.

Lang, Cady. “Aretha Franklin Had an Impact on the Civil Rights Movement.” Time, Time, 16 Aug. 2018, https://time.com/5369587/aretha-franklin-civil-rights/.

Merelli, Annalisa. “When Aretha Franklin Offered to Post Bail for Angela Davis.” Quartz, Quartz, https://qz.com/quartzy/1356841/when-aretha-franklin-offered-to-post-bail-for-angela-davis/.

Ritz, David. “Aretha Franklin.” Encyclopædia Britannica, Encyclopædia Britannica, Inc., https://www.britannica.com/biography/Aretha-Franklin.

Williams, Gracie. “The Story behind the Song: Aretha Franklin’s Mega-Hit ‘Respect’.” Far Out Magazine, 28 Apr. 2021, https://faroutmagazine.co.uk/aretha-franklin-respect-story-behind-the-song/.

December 2, 2021December 6, 2021

AIDS Awareness

John Navarria

AIDS Awareness is an event that raises awareness towards AIDS/HIV every year on April 10th. My goal is to spread more awareness by emphasizing projects made by thousands of people ranging from the AIDS memorial quilt, paintings, to online galleries dedicated to archiving artwork.

AIDS created a lot of stigma and discrimination towards LGBTQ people. Some believed that only certain individuals could get HIV and those who got it deserved it for being gay. These rumors kicked off in San Francisco during the 1980s. The first articles about the virus published by the CDC talked about how 5 previously healthy, young gay men had got it and unfortunately lost their lives to it. As a result of the article US gay rights movements were severely frowned upon. People began to become less comfortable around gay men specifically. Even the government at the time was devoted to funding resources for gay movements. With a new virus and increased amounts of tension between the LGBTQ community, something had to be done.

In this section, I’m going to be talking about the AIDS Memorial Quilt. We learned briefly about this topic in class but there is still a lot more to know. The project was started by Cleve Jones, a social activist, who dedicates his time to spreading positivity through artwork. Jones was born in West Lafayette, Indiana on October 11th, 1954. Jones first got into social rights movements when he was “adopted” by gay rights leader Harvey Milk. Jones had worked for Harvey Milk as an intern until he was assassinated in 1978. It was not until 1983 that Jones founded the AIDS Memorial Quilt. The idea of the quilt came to him during the candlelight march in remembrance of Harvey Milk and former Mayor George Moscone. At the march, people were writing names of those they lost to AIDS/HIV on signs. These signs were attached to the San Francisco Federal Building. Jones used what he saw that day as an inspiration.

The AIDS Memorial Quilt made its first appearance at the national mall in Washington DC on October 11th, 1987, at the same time as the National March for Lesbian and Gay Rights. At the time, the quilt had over 1900 panels and was the size of a football field! The first showing of the quilt lead to every name being read at all the future displays. Over 500,000 people had visited the quilt during its first showing. The textile art was so popular that the quilt toured over 20 cities. Over 9,000 volunteers helped the quilt be displayed across the country. Every city that was toured just made the quilt bigger and bigger. Towards the end of the first tour, the quilt was just over 6,000 separate panels. In November 1989 the quilt made its last stop at the National AIDS Memorial where it still resides In San Francisco. The project itself was made to stop the hate and social misconduct towards people affected by the virus. The quilt inspired so many more projects on over 5 different continents. As of recently a new project called “Call My Name” was started to remember black lives lost to AIDS. This project as well as the AIDS Memorial quilt can now be toured online in its website exhibit!

AIDS Memorial Quilt At The National Mall

Another artist I will be talking about is Frank C. Moore. A lot of Moore’s artworks were focused on civil rights and environmental problems. What you may not know is that Moore himself was diagnosed with HIV in 1985. Following his diagnosis, Moore began creating artwork pursuing AIDS awareness and homosexuality. Later in 1988, Moore became a founding member of the program called “Visual AIDS” a project that utilizes art to fight against AIDS by preserving art and spreading awareness. The program continues to raise awareness to date. Shown below are some of Moore’s art as well as art from the Visual AIDS web gallery.

Although AIDS Awareness has influenced millions of people to actively work together and spread awareness through paintings, textile artwork, and online art galleries, we still do not have a proper vaccine for the virus. A ton of my intention and motivation to write about this issue came from the AIDS memorial quilt. This shows how much artwork can bring social issues to light. I have faith that in the upcoming years with the increasing numbers of the LGBTQ community that we can finally put a stop to the discrimination and hate caused by the virus.

Sources:

https://www.clevejones.com/ – Founder of the AIDS Memorial Quilt.

https://www.aidsmemorial.org/quilt-history – History of the quilt.

https://www.aidsmemorial.org/virtual-quilt/virtual-quilt-black-history – Call My Name Movement.

https://visualaids.org/

https://www.davidzwirner.com/exhibitions/2021/more-life/frank-moore

December 1, 2021December 6, 2021

Single Hearted Unity: Art and Propaganda in the DPRK

By Angela La

In the Western World, it’s common for advertisements and company branding to trigger emotional responses so powerful that you’re compelled to believe that your purchase will improve your quality of life. Choose this and you’ll be happier, more attractive, fitter, more productive. There is almost no trace of this style of advertising in North Korea. Instead of billboards pushing subscription-based shampoos and dental insurance, there are posters reminding citizens to “wear their hair in the Socialist style” and the importance of “Koreanness.”

It’s commonplace to find propaganda techniques in Western advertisements. This ad promotes seatbelt safety by appealing to the audience’s fear, driving them towards a specific action.

Propaganda is a form of communication that is used primarily to influence an audience and further an agenda (“Propaganda.” Wikipedia, Wikimedia Foundation, 29 November 2021, https://en.wikipedia.org/wiki/Propaganda). In Endless Propaganda: The Advertising of Public Goods, Paul Rutherford wrote that it is a “conscious act – an accidental propaganda is an oxymoron,” meaning this method of persuasion is a deliberate act. Our modern understanding of it is that it is often biased and misleading by nature. The word conjures up brightly colored posters pushing political ideology. Many of us associate it with totalitarian governments (see Hitler, Stalin, Mao). Some great religious works may be considered propaganda, and even the Gettysburg Address, widely thought of as one of America’s great speeches, is a political tool meant to sway its readers to believe in American national purpose.

*The Victor of Eucharist over Idolatry by Peter Paul Rubens, 1622. This painting aggressively promotes the Roman Catholic message.*

Edward Bernays, nephew of Sigmund Freud, said in one of his most formative works that consciously or unconsciously, “society consents to have its choice narrowed to ideas and objects brought to its attention by propaganda of all kinds. There is consequently the vast continuous effort to capture our minds in the interest of some policy or commodity or idea” (Propaganda, 11). In the great rebranding of propaganda, Bernays renamed it “public relations,” and according to Nicholas Eastman, he was able to move “seamlessly between public and corporate forms of propaganda” (Brand Consciousness: Late Capitalism and the Marketing of Misery, 107). This earned him the nickname “father of mass modern propaganda.”

How we were sold tobacco, bacon and the ideal of thin women | by Rohan Rajiv | Medium — *An example of Bernay’s public relations style.*

In the Democratic People’s Republic of Korea (DPRK), propaganda serves as one of the main forms of mass communication. To the outside world, it’s easy to see their messages as overly militarist and anti-American. (It’s hard to read an illustration of missiles pointing at Capitol Hill any other way.) But there are many messages that we don’t see, posters encouraging community bonding, economic growth, and scientific development. These overlooked images, most traditionally hand painted, offer a glimpse of another side of North Korea, an alternative to the violent scenes we typically see.

North Korea's New Video Is Only Its Latest Propaganda About Attacking the U.S. | Smart News | Smithsonian Magazine — “When provoking a war of aggression, we will hit back, beginning with the US!

Even in a reclusive state, art finds a way to be cultivated and revered. From a young age, people showing signs of interest in art are encouraged to pursue professional careers in it. Persevering students earn admission to Pyongyang University of Fine Arts (PUFA), considered the highest level of art education in North Korea, where education is free and compulsory. They study the meaning and purpose of art in society, as well as the social and political importance that comes with being a professional artist in North Korea. Many go on to create monumental art pieces at historic sites and public spaces, in addition to posters, statues, ceramics and other artforms, under the guidance of the Leader, the Party, or the government.

*Teen Brigade Leader by Pak Song Kil, 1980*.

In a state where internet access is heavily restricted, posters serve as an effective way to communicate public essential information to everyone in the country. Many of these images depict women as leaders of industry, agriculture, and science, very different from the posters of male soldiers in anti-American and anti-Japanese propaganda. They’re also a good way to track progress in the country, with posters reflecting the current priorities of the leadership. Things like social change, economic growth and scientific advances, like the electrification of the country and agricultural revolutions, were all conveyed through this medium. Direct and blunt messages like “Improvement for seeking high-yield seeds for varieties guarantee a rich harvest” are very common, as well as messages that drive the rate of productivity.

What North Korean propaganda posters reveal - CNN Style — *“Let us achieve the party’s agriculture revolution policy thoroughly and brighten the year with increased grain production.”*

The artists draw from the traditions of socialist realism, a form of idealized modern realism imposed in the Soviet Union under Stalin. Typically they are hyper optimistic depictions of communist values.

*Roses for Stalin by Boris Vladimirski, 1949.*

"Let us bring in a rich harvest of new territory!" says a Soviet propaganda poster by Oleg Mikhailovich Sawostjuk in 1927. Photo by Universal History Archive/UIG via Getty images — *“Let us bring in a rich harvest of new territory!”*

The style of the posters have remained remarkably unchanged since the 1950s, despite industrial and scientific advances. The composition of the images stays unsophisticated: a figure in the foreground addressing the people, and a juxtaposing background that is very well defined, drawing the viewer in and making a clear and direct connection.

A Soviet recruitment poster from the time of the Russian Revolution in 1917 says, "You! Have you signed up with the volunteers?" Photo by Sovfoto/UIG via Getty Images — *“You! Have you signed up with the volunteers?*“

*“This man is fully behind the people’s economic plan, are you?”*

But even under the constraints (or “guidelines”) from the Leadership, artists are able to express themselves in a medium that is usually devoid of complex meaning and interpretation. Based on the five elements of wood, fire, earth, metal and water, the colors used are symbolic and hold meaning with the public. The Korean primary colors, called obangsaek, are red, blue, yellow, black, and white. Red symbolizes passion, as well as socialism and aggression. Blue conveys peace and harmony, as well as integrity, often found in posters for educational purposes. Yellow represents glory and prosperity, a prominent color in posters promoting agriculture and development. Black represents darkness and evil, used in many anti-American and anti-Japanese propaganda, and conversely white is the symbol of purity.

North Korea Propaganda Goes Viral... "Let's Wash Our Hands!" | Koryo Studio — *“Let’s wash our hands!” Notice the use of the color blue, a symbol of integrity and peace, in an educational poster promoting hand washing during the coronavirus pandemic.*

"Let us further encourage our nation's excellent sports activities and folk games!" — *“Let us further encourage our nation’s excellent sports activities and folk games!”* *Red is considered the color of passion, exhibited here in a poster promoting athletics.*

"Let us extensively develop double cropping!" — *“Let us extensively develop double cropping!”* *An eyecatching use of yellow/gold in a poster promoting agricultural advances.*

Aside from these posters, the government also sanctions artworks like landscape and still-life paintings and prints, depicting things like cheerful students, bountiful harvests, and the North Korean revolution of the workers’ paradise. Sometimes they seem implausible from a country that practices “systematic, widespread and gross human rights violations,” according to the United Nations. It’s hard to imagine North Korea as a place to admire art, and it may feel uneasy to realize that these paintings are more than just propaganda. They may not always be melodramatic war posters, propaganda can also be about bravery, innovation, and abundance, which perhaps is lacking in a country that is familiar with bouts of famine. If anything, these images complicate the one-dimensional view we often have of this country.

*First Flower of the Triumphant Return by Kim Won Chol, 2003*

Citations

Rutherford, Paul. Endless Propaganda: The Advertising of Public Goods. Toronto: University of Toronto Press, 2000. Print.

Bernays, Edward L. Propaganda. New York: H. Liveright, 1928. Print.

Eastman, Nicholas J. Brand Consciousness: Late Capitalism and the Marketing of Misery. Ohio: Ohio Valley Philosophy of Education Society, 2020. Print.

“Socialist Realism.” Tate, Tate Collective. Accessed 2 December 2021. https://www.tate.org.uk/art/art-terms/s/socialist-realism

“Korean Color Symbolism.” Color Meanings, Jacob Olesen. Accessed 2 December 2021. https://www.color-meanings.com/korean-color-symbolism/

“What North Korean Propaganda Posters Reveal.” CNN Style, CNN, 1 January 2018. https://www.cnn.com/style/article/north-korea-propaganda-posters-design/index.html
“Propaganda.” Wikipedia, Wikimedia Foundation, 29 November 2021, https://en.wikipedia.org/wiki/Propaganda.

December 1, 2021December 6, 2021

:)

By: Ryan Smith

From day to day out, women are being told to smile and look a “certain way” to appease men for their self-worth. But these opinions that men have about women are nothing but objective and disrespectful to the fullest. You see it happen on the streets, subways, stores and virtually anywhere people are interacting. This has been an ongoing issue that’s seen a worldwide pandemic within social change.

This brings me to a brilliant social street artist by the name of Tatyana Fazlalizadeh. This movement started here in the ever-growing city of Brooklyn, New York in 2012. You’ll see portraits put up around various locations in the city of actual women that have been interviewed for this project with quotes such as “MY WORTH EXTENDS FAR BEYOND MY BODY”, “I AM NOT HERE FOR YOU” and “YO MEREZCO SER RESPETADA” which translates to “I Deserve To Be Respected”. By making her work in multiple languages she’s able to reach a larger audience of the general public and therefore get her voice out there. Behind each of these portraits has a larger story and their own experiences that each woman holds near to themselves. They shared what it’s like to have these daily experiences with harassment and how daunting it can take a toll on oneself.

After starting only 10 years ago this ever-growing social change has reached far-off places around our earth. These brave women’s stories are being told in New York, Berlin, France, Canada, Mexico, Trinidad, and the UK. It wasn’t until 2015, that Fazlalizadeh took this project to Mexico, making it international. It was the first step into bringing this movement worldwide and expanding her voice to the ends of the earth. Two years later she brought Stop Telling Women to Smile to her home state of Oklahoma, which is a primarily Republican state in wake of the 2016 election of Trump. The text read “America is black. It is Native. It wears hijab. It is Spanish speaking tongue. It is migrant. It is a woman. Has been here. And it’s not going anywhere.” That piece being in a republican state spoke volumes and raised an uproar, but she stuck to her guns and stood her ground. Her tenacity didn’t stop there, she brought in another groundbreaking movement in 2020 where her murals portraying exquisite portraits of Breonna Taylor, Atatiana Jefferson, Tony McDade, and Nina pop in New York City. These portraits raised awareness addressing Racial and Transphobic violence happening today.

That just goes to show how many social issues there are and how it affects so many people from so many different walks of life. It shines a spotlight on the fact that no matter where you reside, the similarities of harassment are jarring enough for women to all resonate with and have similar stories. There are countless individuals, including myself that have the utmost respect for Fazlalizadeh and the dedication it took for her to get her voice out there and help so many other women voice their opinion on what’s been happening.

As the project is titled “Stop Telling Women To Smile”, it goes far beyond just that, but furthermore, it dives into the fact that just because a woman might wear a specific outfit that doesn’t give any man or person the right to an invitation to them or any unjust opinion. Women should be to wear and do anything in this world that they so do please without the constant harassment from men who seem to believe they have a right to voice their own opinion when in fact they should know their place and show these women the respect that they so rightfully deserve. From having countless women as friends, I’ve heard stories about how just walking from the train station to work here in New York City, they would get unnecessarily cat-called from men. The amount of disrespect and harassment that these women must feel daily is downright horrific and heartbreaking. No one should have to endure such an uncomfortable feeling when they are simply trying to go about their day.

This movement not only shines a light upon this worldwide pandemic amongst women but also hopefully a step in the right direction as an entire society in the fact that we owe it to ourselves to treat women with more dignity and respect regardless of the circumstance. As men, we truly don’t understand the pain these women endure and have to face when out in public but what we can do is stand up for what’s right and lift women and give them the respect they deserve.

Lee. R, Felicia. “An Artist Demands Civility on the Street With Grit and Buckets of Paste.” The New York Times, 9 Apr. 2014 https://www.nytimes.com/2014/04/10/arts/design/tatyana-fazlalizadeh-takes-her-public-art-project-to-georgia.html

Fabulize Magazine, Contributor. “It’s Important For Men to Understand That They Need To Stop Telling Women to Smile.” 11 April. 2016 https://www.huffpost.com/entry/its-important-for-men-to-stop-telling-women-to-smile_b_9655246

Lambkin, Kelly and Cortland, Suny. “2 New York Artists Who Used Graffiti to Ignite Social Change.” 15 Nov. 2017 https://studybreaks.com/culture/graffiti-ignite-social-change-new-york/

Fazlalizadeh, Tatyana “Stop Telling Women to Smile.” www.tlynnfaz.com

Category: Gallery Projects