Street Art and Social Change

First, a Civil War explainer, if you never really studied this stuff or it’s been a minute:

Read and explore these resources on Confederate Monuments

Watch this video: https://www.theguardian.com/global/video/2017/aug/22/battle-over-confederate-statues-united-states-video-explainer

Read this (note that it is from 2017): https://www.vox.com/the-big-idea/2017/8/18/16165160/confederate-monuments-history-charlottesville-white-supremacy

Read this article AND take time to explore the timeline included in its images: 

https://www.npr.org/2017/08/20/544266880/confederate-statues-were-built-to-further-a-white-supremacist-future


Explore this photo project of plinths after statues have been removed: https://www.hectorrene.com/ozymandias

This summer, the city of Charlottesville, Virginia, was finally allowed to remove the statues of Robert E. Lee and Stonewall Jackson that became the flashpoint for the “Unite The Right” rally that brought Nazis to town. As it happened, the statues were taken down while I was on a train headed there to visit a friend. Here are two pictures I took of what was once known as Jackson Park, now known as Court Square Park. The first, taken in 2017, shows the statue shrouded. The second, taken this summer, shows its empty plinth.

Black Panther and Its Impact

One idea that I find worth attention is in the article about Black Panther, when the writer Carvell Wallace references a video posted to twitter, in which three young men make comments regarding a black panther poster. They all make jokes, but the one that strikes me most is “This is what white people get to feel all the time?”. What he means by this is the idea that the majority of big time movies, and shows, are majority all white cast, with minorities playing smaller roles. Though this time it is completely different, a Black movie where the main characters are Black, and play all of the significant roles. To add on, this movie is not yet another “Black Pain” movie, such as a movie about slavery, or segregation, but it is a movie depicting Black people in roles of royalty and of great purpose, and power. Black Panther doesn’t make its audience feel bad for Black People, it instead impowers Black People and all that can relate to it. It is a movie of excellence, and Black youth can now finally see people like them on the big screen, and that is a defining moment for Black America.

Not only is this a defining moment for Black America, but it’s also a big moment for the Black Lives Matter Movement. BLM, aims to bring justice to Black Americans, and dismantle systematic racism. Black Panther allowed America to see Blackness in its excellence, and in a positive light. Black people often are portrayed as criminals, or portrayed in movies in poor circumstances, which perpetuates the injustice that Black people in America continue to experience, it also shows Africa in a new light, which is that its not only a impoverished continent, but a place that is just as modern, and a place full of beautiful and vibrant culture. The Black Lives Matter Movement aims to change the narrative of Black people in America, and Black Panther does exactly that. Showing Black America, and America as a whole in a movie where THEY are the stars, and they are the ones that everybody is crowding into movie theaters to go see. This is a big step for Black America and BLM in terms of empowerment and representation.

Relating back to the first paragraph, and the comments made about a lack of representation in America when it comes to Black people in powerful roles. Black Panther gives Black America new hope, and new inspiration, which is that they can be powerful and strong too, that they can be the main stars if they want to, and that they are just as important as any other race. It is time for representation in American movies, and not just movies but everywhere else, and with the release of this movie and the large impact that it had even before its release, it is a step towards equality, and justice in America, and Afrofuturism.

How Long ’til Black Future Month? Afrofuturism in Literature

“When I began writing science fiction, when I began reading, heck, I wasn’t in any of this stuff I read. I wrote myself in.”

— Octavia Butler

Boy, it’s hard to choose. But while it’s tempting to make you read everything Octavia Butler wrote, instead I will point you to two living writers.

N.K. Jemisin — like Natalie Diaz — is a winner of the MacArthur Foundation’s “Genius Grant.” (The title of this post is hers, for a book of short stories.) She is best known for a sci-fi trilogy called the Broken Earth series. It’s good! But I won’t make you read it. Instead, please watch this video the MacArthur Foundation made about her and this video of a famous speech she made at an award ceremony (the Hugos) about representation:

If you are going to write your response this week on literature, please also read this New Yorker profile of Jemisin.

Another obvious heir to Octavia Butler is Nnedi Okorafor. You can read an excerpt from her (super amazing) Binti trilogy here:

https://www.tor.com/2015/08/17/excerpts-binti-nnedi-okorafor/

Black Panther


Here are some resources about the movie Black Panther. Pay extra attention to these! In addition to being a nice example of Afrofuturism, they are related to the Roderique essay for the final. #multitasking.

Here’s the trailer, which we already watched.

And here are two articles to read about the movie’s relationship to Afrofuturism:

And also this one: https://theconversation.com/towards-wakanda-chadwick-bosemans-passing-and-the-power-and-limits-of-afrofuturism-145300

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Janelle Monae: What Is Revolution Without Song?

In discussions of contemporary Afrofuturism, it generally doesn’t take long for Janelle Monae’s name to come up.  (BECAUSE SHE IS AWESOME.)  I’d like to make you watch and listen to every single thing she has ever made, but I will settle for the following: 

“The Defiant Sci-Fi of Janelle Monae” 

(I recommend you check out the lyrics here, as well — bear in mind that the commentary on the lyrics is written by whomever cares to write it, and frankly not all of it is as careful as it could be: https://genius.com/1733622 )

Since we watched those in class, here are a few more:

“Tightrope” This is the one with the dance scenes in the Afrofuturism video:

“Turntables” 

Monae wrote this song for a documentary about Stacy Abrams. Not familiar with Stacy Abrams? Get familiar. She is one of the most important political organizers working today. https://en.wikipedia.org/wiki/Stacey_Abrams

Lyrics here: https://genius.com/Janelle-monae-turntables-lyrics

Short article on “Turntables” (where the quotation in this item’s title comes from): https://www.rollingstone.com/music/music-news/janelle-monae-turntables-interview-1057188/

This one isn’t Afrofuturism. “Hell You Talmbout” is a song Monae first wrote in 2015, in response to police brutality. “Say Her Name” is an updated version, focusing on Black women killed by police violence.