In “The Wife” by Emily Dickenson, what surprised me was her use of verbal irony when she says, “She rose to his requirement, dropped/The playthings of her life/To take the honorable work/Of woman and of wife” (Dickenson 1-4). This surprised me because during her time in the 1800s, being a wife in the way that was expected was to live a life in the house, being subservient to your husband. In these lines, she portrays womanhood and marriage as an honorable thing for women, when in reality it wasn’t, and a lot of women secretly hated it. This is surprising to me because it shows that Emily Dickenson was critical of her time despite the cultural norms and gender standards put in place. When she describes the woman’s individuality before marriage as the “playthings of her life” it reiterates the idea that it wasn’t important, and her responsibility and focus lie with a man not with herself or in other words, “the playthings of her life”. The part of the poem that intrigued me was Dickenson’s inclusion of the sea when she says, “as the sea/Develops both pearl and weed” (Dickenson 9-10). This intrigued me because pearls are beautiful creations that come from the sea, but seaweed is bothersome. When you go to the beach and the water is covered with seaweed, it feels weird on your skin, it’s hard to swim through and it tangles up in everything. On the contrary, oysters make pearls, and they are often beautiful and worth a lot of money. This intrigued me because she amplifies how both beauty and ugly can be found in the same place. In relation to marriage, it can be both beautiful and ugly especially in this case where the Cult of Domesticity is the norm. Marriage is beautiful […]