The third vignette, “Boys & Girls,” intrigued me because it was interesting to read the narrator’s point of view. The idea that you don’t pick your family is very true, yet it doesn’t feel too great when you can’t rely on your siblings as your best friends because they’re so different from you or because they act a certain way. I, personally, am very close to my brother and my sister, but I can understand the narrator’s statement, “Carlos and Kiki are each other’s best friend… not ours.” I can understand this because while we are very close, there were times that I’ve felt as though they liked each other more or had a better bond because I came around a long while later. Family relationships can be funny that way. The first vignette, “The House on Mango Street,” surprised me because I can relate to the story in every way. I know how it feels to have to move all of the time because each time, things didn’t go as planned. I related to the narrator when the nun asked where the narrator lives, “You live there? The way she said it made me feel like nothing. There. I lived there. I nodded.” I can hear how the nun is pronouncing the word “there” with a tone of disbelief and I can feel the same level of embarrassment the narrator is feeling in this moment. Especially when the narrator goes on to say, “I knew then I had to have a house. A real house. One I could point to.” The fourth vignette, “My Name,” puzzled me only because I am not sure if the narrator is literally saying that her great-grandmother’s husband really did throw a sack over her head and carry her away. I want to hope […]