“In the unnumbered death of its people the city dies; those children that are born lie dead on the naked earth unpitied, spreading contagion of death; and gray-haired mothers and wives everywhere stand at the altar’s edge, suppliant, moaning; the hymn to the healing God rings out but with it the wailing voices are blended. From these our sufferings grant us, O golden Daughter of Zeus, glad-faced deliverance” (Oedipus, 204-210).
I chose this passage because the language used is rich and evocative, with the repetition of “death” emphasizing the gravity of the city’s tragedy. The depiction of dead children lying on the naked earth, as well as mothers and wives standing at the altar, pleading for divine intervention, is particularly moving. The use of the word “unpitied” by the Chorus emphasizes the sense of isolation and abandonment felt by the people of Thebes in their suffering.
The passage’s final lines 209-210 introduce the hope of salvation, with the Chorus appealing to the goddess Artemis for deliverance. The epithet “golden Daughter of Zeus” and the phrase “glad-faced deliverance” add to the language’s beauty and power, conveying a sense of reverence and supplication.
Ultimately, I find this passage beautiful because it’s a perfect example of the Chorus’s ability to portray their complex feelings and connection to the Theban people using exquisite language and imagery.
