{"id":420,"date":"2019-08-30T14:58:28","date_gmt":"2019-08-30T14:58:28","guid":{"rendered":"https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/?page_id=420"},"modified":"2019-11-07T16:31:57","modified_gmt":"2019-11-07T16:31:57","slug":"week-7","status":"publish","type":"page","link":"https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/week-7\/","title":{"rendered":"Week 7"},"content":{"rendered":"<h1>Walk cycles<\/h1>\n<p>This week we will tackle the walk cycle: a looping cycle of your character walking. Creating a smooth and satisfying animated walk takes time and practice. Different walks will have different key poses and number of frames, but we&#8217;ll start with a pretty standard walk &#8211; assured, neither rushed nor slow.\u00a0We will start with the legs and add the arms afterwards to keep things simple.<\/p>\n<h3>Key poses<\/h3>\n<p>Let&#8217;s break down the walk cycle into different key poses. We&#8217;ll start with:<\/p>\n<ul>\n<li>The <em>contact<\/em> pose:\u00a0one foot is firmly on the ground, the other has just landed (usually with the heel first)<\/li>\n<li>The<em>\u00a0passing <\/em>pose: the foot passes the one that was previously in front of it.<\/li>\n<\/ul>\n<figure id=\"attachment_460\" aria-describedby=\"caption-attachment-460\" style=\"width: 840px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-460\" src=\"https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-content\/uploads\/sites\/88\/2019\/09\/mmp260-week7-walkCycle-2frames-1024x334.jpg\" alt=\"\" width=\"840\" height=\"274\" srcset=\"https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-content\/uploads\/sites\/88\/2019\/09\/mmp260-week7-walkCycle-2frames-1024x334.jpg 1024w, https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-content\/uploads\/sites\/88\/2019\/09\/mmp260-week7-walkCycle-2frames-300x98.jpg 300w, https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-content\/uploads\/sites\/88\/2019\/09\/mmp260-week7-walkCycle-2frames-768x251.jpg 768w, https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-content\/uploads\/sites\/88\/2019\/09\/mmp260-week7-walkCycle-2frames-1200x392.jpg 1200w, https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-content\/uploads\/sites\/88\/2019\/09\/mmp260-week7-walkCycle-2frames.jpg 1920w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" \/><figcaption id=\"caption-attachment-460\" class=\"wp-caption-text\">first 2 keyframes<\/figcaption><\/figure>\n<p>If you repeat and inverse these two poses, you get a choppy but physically sound walk cycle.<\/p>\n<figure id=\"attachment_458\" aria-describedby=\"caption-attachment-458\" style=\"width: 840px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-458\" src=\"https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-content\/uploads\/sites\/88\/2019\/09\/mmp260-week7walkCycle-4frames-1024x334.jpg\" alt=\"\" width=\"840\" height=\"274\" srcset=\"https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-content\/uploads\/sites\/88\/2019\/09\/mmp260-week7walkCycle-4frames-1024x334.jpg 1024w, https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-content\/uploads\/sites\/88\/2019\/09\/mmp260-week7walkCycle-4frames-300x98.jpg 300w, https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-content\/uploads\/sites\/88\/2019\/09\/mmp260-week7walkCycle-4frames-768x251.jpg 768w, https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-content\/uploads\/sites\/88\/2019\/09\/mmp260-week7walkCycle-4frames-1200x392.jpg 1200w, https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-content\/uploads\/sites\/88\/2019\/09\/mmp260-week7walkCycle-4frames.jpg 1920w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" \/><figcaption id=\"caption-attachment-458\" class=\"wp-caption-text\">4 frames<\/figcaption><\/figure>\n<figure id=\"attachment_454\" aria-describedby=\"caption-attachment-454\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-454\" src=\"https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-content\/uploads\/sites\/88\/2019\/09\/mmp260-week7-walkCycle-4frames.gif\" alt=\"\" width=\"800\" height=\"800\" \/><figcaption id=\"caption-attachment-454\" class=\"wp-caption-text\">Walk cycle with just contact and passing poses (4 frames)<\/figcaption><\/figure>\n<p>Next, we add two more key poses:<\/p>\n<ul>\n<li>The\u00a0<em>down\u00a0<\/em>pose (after the <em>contact<\/em> pose): the head is at its lowest in the cycle because the leg that just landed on the previous frame is now bent.<\/li>\n<li>The\u00a0<em>up<\/em> pose (after the<em> passing<\/em> pose): the head is at its highest in the cycle because the leg that was just passed is lifting on its toes to propel the character forward.<\/li>\n<\/ul>\n<figure id=\"attachment_456\" aria-describedby=\"caption-attachment-456\" style=\"width: 840px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-456\" src=\"https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-content\/uploads\/sites\/88\/2019\/09\/mmp260-walkCycle-8frames-1024x334.jpg\" alt=\"\" width=\"840\" height=\"274\" srcset=\"https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-content\/uploads\/sites\/88\/2019\/09\/mmp260-walkCycle-8frames-1024x334.jpg 1024w, https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-content\/uploads\/sites\/88\/2019\/09\/mmp260-walkCycle-8frames-300x98.jpg 300w, https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-content\/uploads\/sites\/88\/2019\/09\/mmp260-walkCycle-8frames-768x251.jpg 768w, https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-content\/uploads\/sites\/88\/2019\/09\/mmp260-walkCycle-8frames-1200x392.jpg 1200w, https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-content\/uploads\/sites\/88\/2019\/09\/mmp260-walkCycle-8frames.jpg 1920w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" \/><figcaption id=\"caption-attachment-456\" class=\"wp-caption-text\">8 frames<\/figcaption><\/figure>\n<figure id=\"attachment_451\" aria-describedby=\"caption-attachment-451\" style=\"width: 800px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-451\" src=\"https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-content\/uploads\/sites\/88\/2019\/09\/mmp260-week7-walkCycle.gif\" alt=\"\" width=\"800\" height=\"800\" \/><figcaption id=\"caption-attachment-451\" class=\"wp-caption-text\">Walk cycle (8frames)<\/figcaption><\/figure>\n<h3>Adding the arms<\/h3>\n<p>The arms usually swing in the opposite direction as the leg (i.e: if the left leg is extended forward, the left leg will be swinging back).<\/p>\n<h3>Adjusting the timing<\/h3>\n<p>Once you have the 8 basic key poses ready, you can adjust the speed and timing of your walk by adding in-betweens and\/or extending certain frames.<\/p>\n<h3>Mood<\/h3>\n<p>The way a character walks can say a lot about his personality and current state of mind. Small adjustments in the timing, position and offset of the basic walk cycle above can drastically change a walk&#8217;s emotional connotation. For a sad walk for example:<\/p>\n<ul>\n<li>Make the <em>up<\/em> and <em>down<\/em> poses closer in height to diminish the bounce effect<\/li>\n<li>Lean the body forward<\/li>\n<li>Droop the arms (no back and forth\/offset)<\/li>\n<li>Make the contact and down poses longer than the pass and up poses.<\/li>\n<\/ul>\n<figure id=\"attachment_449\" aria-describedby=\"caption-attachment-449\" style=\"width: 800px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-449\" src=\"https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-content\/uploads\/sites\/88\/2019\/09\/mmp260-week7-walkCycleSad.gif\" alt=\"\" width=\"800\" height=\"800\" \/><figcaption id=\"caption-attachment-449\" class=\"wp-caption-text\">Sad walk cycle<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<h3>References<\/h3>\n<p>You can use the example above as a reference, but you can also find a lot of examples online by doing a search for &#8220;walk cycle&#8221;. Acting out your character&#8217;s walk and recording it can also be really helpful. Also watch<a href=\"https:\/\/www.youtube.com\/watch?v=CeZfS0N2v8Q\"> this short video<\/a> of the great animator Richard Williams talking about walk cycles.<\/p>\n<hr \/>\n<h1>Final project- step 2: walk cycle (rough)<\/h1>\n<h3><strong>Subject<\/strong><\/h3>\n<p>This week, you will create a rough-draft of your character&#8217;s walk cycle. Start by recording a <strong>reference video<\/strong> of you acting out your character&#8217;s walk. Make the walk interesting in some way &#8211; it should tell us something about the <strong>personality\/mood<\/strong> of your character. Your cycle should have (at least) <strong>8 frames<\/strong> \u00a0(see above) and should <strong>loop seamlessly.\u00a0<\/strong><\/p>\n<h3><strong>Format<\/strong><\/h3>\n<p>Use the following file format: 24fps, width: 1920px | height: 1080px.\u00a0Save your .fla file and export your animation to an animated GIF (in animate, go to <em>File &gt; Export &gt; Animated GIF<\/em>).<\/p>\n<h3><strong>Submission<\/strong><\/h3>\n<p>Create a new post on your Open Lab portfolio. Your post should include your animated GIF (make sure you select <em>Full Size<\/em> when inserting your file)\u00a0as well as a <strong>short description<\/strong>\u00a0(reflections on your process, challenges, goals etc. are also welcome), and a<strong> link to your reference video<\/strong>.<\/p>\n<p>This assignment is due next week. Submit the following files on the following platforms:<\/p>\n<ul>\n<li>Blackboard: A link to your Open Lab post.<\/li>\n<li>Open Lab discussion board: Reply to the \u201cFinal project: walk cycle (rough)\u201d discussion post with a link to your Open Lab post<\/li>\n<\/ul>\n<p><strong>This part of the final project. It will be taken into account in the final grade for the\u00a0project (see full grading rubric\u00a0<a href=\"https:\/\/docs.google.com\/spreadsheets\/d\/12Ys9uZKlckNuaiNLgR1GpDF8t3MBNEpqCD7bpGSDiRo\/edit?usp=sharing\">here<\/a>).<\/strong><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Walk cycles This week we will tackle the walk cycle: a looping cycle of your character walking. Creating a smooth and satisfying animated walk takes time and practice. Different walks will have different key poses and number of frames, but we&#8217;ll start with a pretty standard walk &#8211; assured, neither rushed nor slow.\u00a0We will start &hellip; <a href=\"https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/week-7\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Week 7&#8221;<\/span><\/a><\/p>\n","protected":false},"author":21,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"portfolio_post_id":0,"portfolio_citation":"","portfolio_annotation":"","openlab_post_visibility":"","footnotes":""},"class_list":["post-420","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-json\/wp\/v2\/pages\/420","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-json\/wp\/v2\/comments?post=420"}],"version-history":[{"count":21,"href":"https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-json\/wp\/v2\/pages\/420\/revisions"}],"predecessor-version":[{"id":729,"href":"https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-json\/wp\/v2\/pages\/420\/revisions\/729"}],"wp:attachment":[{"href":"https:\/\/openlab.bmcc.cuny.edu\/mmp260-1301-f2019\/wp-json\/wp\/v2\/media?parent=420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}