{"id":4,"date":"2026-01-05T14:52:18","date_gmt":"2026-01-05T14:52:18","guid":{"rendered":"https:\/\/openlab.bmcc.cuny.edu\/history-of-animation-mes160\/syllabus\/"},"modified":"2026-04-23T16:40:41","modified_gmt":"2026-04-23T16:40:41","slug":"syllabus-2","status":"publish","type":"page","link":"https:\/\/openlab.bmcc.cuny.edu\/mes160-s26\/syllabus-2\/","title":{"rendered":"Syllabus"},"content":{"rendered":"<p>TITLE OF COURSE:\u00a0<strong>World History of Animation<\/strong><\/p>\r\n<p>COURSE NUMBER &amp; SECTION: <strong>MES160-1102, Spring 2026<\/strong><\/p>\r\n<p>SCHEDULE:<strong> Tuesdays &amp; Thursdays, 11:30AM &#8211; 12:45PM | Online (Synchronous). Please check Brightspace for Zoom link and passcode.\u00a0<\/strong><\/p>\r\n<p>PROFESSOR: <strong>Anna Pinka<\/strong><em>s<\/em><strong> | apinkas@bmcc.cuny.edu | Office hours<em>:<\/em> Mondays, 9AM -10AM, S-608 (in-person) |<\/strong> <strong>Mondays, 3:30PM &#8211; 5:30PM (Zoom, see link on Brightspace) <\/strong>(Feel free to email Prof Pinkas in advance if you would like to reserve a slot or if you would like to find an alternate day\/time to speak).\u00a0<\/p>\r\n<p>CREDITS: <strong>3<\/strong> | CLASS HRS: <strong>3<\/strong> BASIC SKILLS:\u00a0<strong>Pass ESL54 or ENG 88\/ Pass ACR 94 or writing Index 55+\u00a0|\u00a0<\/strong>PRE AND CO-REQUISITES:\u00a0<strong>None<\/strong><\/p>\r\n<p>DESCRIPTION:\u00a0<strong>World History of Animation introduces students to seminal works of animation across time and cultures. The course discusses the evolution of the art form through the lens of technical innovations, socio-political contexts, and aesthetic movements. Students will study works ranging from large productions to independent and experimental shorts, and the influence of different international productions on one another, including Asian and European works and creators.\u00a0<\/strong><\/p>\r\n<p>COURSE STUDENT LEARNING OUTCOMES :<\/p>\r\n<table style=\"height: 286px\" width=\"1297\">\r\n<thead>\r\n<tr>\r\n<th>Description<\/th>\r\n<th>Measurement<\/th>\r\n<\/tr>\r\n<\/thead>\r\n<tbody>\r\n<tr>\r\n<td>1. Identify vocabulary used in the field of animation, such as frame rate, storyboarding, concept art, celluloid, stop motion, CGI, rendering etc.<\/td>\r\n<td>Informal Classroom Speaking and Writing Exercises, Quizzes, Final Presentation<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><span style=\"font-weight: 400\">2. Recognize how technical innovations have changed the aesthetic, financial considerations, and distribution of animated works.<\/span><\/td>\r\n<td>Informal Classroom Speaking and Writing Exercises, Quizzes, Final Presentation<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><span style=\"font-weight: 400\">3. Differentiate animation genres, techniques and modes of production of different eras and nations. <\/span><\/td>\r\n<td><span style=\"font-weight: 400\">Classroom Speaking and Writing Exercises, Quizzes, Final Presentation<\/span><\/td>\r\n<\/tr>\r\n<tr>\r\n<td><span style=\"font-weight: 400\">4. Compare and contrast the visual style, target audience and intent of animated works across time and cultures.<\/span><\/td>\r\n<td><span style=\"font-weight: 400\">Classroom Speaking and Writing Exercises, Quizzes, Final Presentation<\/span><\/td>\r\n<\/tr>\r\n<tr>\r\n<td>5.\u00a0<span style=\"font-weight: 400\">Identify issues of difference among animators\/studios and the ways difference has affected their animated works.<\/span><\/td>\r\n<td><span style=\"font-weight: 400\">Classroom Speaking and Writing Exercises, Quizzes, Final Presentation<\/span><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<p>GENERAL EDUCATION LEARNING OUTCOMES<\/p>\r\n<table>\r\n<thead>\r\n<tr>\r\n<th>Description<\/th>\r\n<th>Measurement<\/th>\r\n<\/tr>\r\n<\/thead>\r\n<tbody>\r\n<tr>\r\n<td>Communication Skills \u2013 Students will write, read, listen and speak critically and effectively. Student behaviors include being able to: Express ideas clearly in written form; Employ critical reading skills to analyze written material; Exhibit active listening skills; Give an effective oral presentation.<\/td>\r\n<td><span style=\"font-weight: 400\">Classroom Speaking and Writing Exercises, Quizzes, Final Presentation<\/span><\/td>\r\n<\/tr>\r\n<tr>\r\n<td><span style=\"font-weight: 400\">Arts &amp; Humanities- Students will be able to develop knowledge and understanding of the arts and literature through critiques of works of art, music, theatre and literature.<\/span><\/td>\r\n<td><span style=\"font-weight: 400\">Classroom Speaking and Writing Exercises, Quizzes, Final Presentation<\/span><\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Information &amp; Technology Literacy \u2013 Students will collect, evaluate and interpret information and effectively use information technologies. Student behaviors include being able to: Conduct research using appropriate research strategies; Make effective use of technology.<\/td>\r\n<td><span style=\"font-weight: 400\">Using the OER website, Zoom and Brightspace<\/span><\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Values- Students will be able to make informed choices based on an understanding of personal values, human diversity, multicultural awareness and social responsibility.<\/td>\r\n<td><span style=\"font-weight: 400\">Classroom Speaking and Writing Exercises, Quizzes, Final Presentation<\/span><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<p>REQUIRED TEXT: This is an <strong>OER\/ZTC<\/strong> (Open Educational Resources\/Zero Textbook Course) course. Free class materials (including films, readings etc.) are available at <a href=\"https:\/\/openlab.bmcc.cuny.edu\/mes160-s26\/\">https:\/\/openlab.bmcc.cuny.edu\/mes160-s26\/<\/a><\/p>\r\n<p>OTHER RESOURCES:\u00a0\u00a0The films on this syllabus are available for free on <strong>KANOPY<\/strong> Streaming Videos and\/or online. Please follow<a href=\"https:\/\/www.bmcc.cuny.edu\/news\/bmcc-library-offers-new-streaming-video-database\/\"> these instructions<\/a> to login to KANOPY (you must use your BMCC ID and password to gain access through this URL:\u00a0<strong><a href=\"https:\/\/bmcccuny.kanopy.com\">https:\/\/bmcccuny.kanopy.com<\/a><\/strong>). Students must also use <a href=\"https:\/\/openlab.bmcc.cuny.edu\"><strong>Open Lab<\/strong><\/a> &amp; <a href=\"https:\/\/www.bmcc.cuny.edu\/academics\/digitaleducation\/student-support\/brightspace-for-students\/\"><strong>Brightspace<\/strong><\/a>\u00a0to access other course content and grading<\/p>\r\n<p>USE OF TECHNOLOGY: Students will use Brightspace to submit their graded work. T Faculty will upload grades and comments there too, along with any other course material they see fit. Students will need to login to OpenLab and Brightspace regularly. If you do not have (or cannot remember) your id and password for both\/either, contact the BMCC helpdesk right away: 212-220-8379 <a href=\"mailto:helpdesk@bmcc.cuny.edu\">helpdesk@bmcc.cuny.edu ;\u00a0<\/a>RoomS141 (199 Chambers Street). You may also rest your password by going to <a href=\"https:\/\/cunyportal.cuny.edu\/\">https:\/\/cunyportal.cuny.edu\/<\/a> and clicking on \u201cAccount &amp; Password Reset\u201d. All Students are required to use their full BMCC email address when signing into the computers, Wi-Fi, BMCC Portal and other BMCC IT Services requiring authentication. (For example, John Doe would now sign in as john.doe@stu.bmcc.cuny.edu)<\/p>\r\n<p>TUTORING: Take advantage of <strong>BMCC\u2019s one-on-one tutoring services<\/strong> (free!) (available online and in-person). Visit<a href=\"https:\/\/www.bmcc.cuny.edu\/students\/lrc\/\"> https:\/\/www.bmcc.cuny.edu\/students\/lrc\/<\/a> for more information.<\/p>\r\n<p>EMAIL ETIQUETTE: Please email Professor Pinkas at: <a href=\"mailto:apinkas@bmcc.cuny.edu\">apinkas@bmcc.cuny.edu<\/a>. Practice professional writing (i.e: Start your email with<span style=\"font-weight: 400\"> &#8220;Dear Professor Pinkas&#8221;, end with &#8220;Best&#8221; and your full name), and put your class and section name in the subject line of the email.\u00a0<\/span><\/p>\r\n<p>POLICY ON THE USE OF GENERATIVE AI: <span data-contrast=\"auto\">In this course, students may use generative AI applications for the creation of text or media for specific assignments, <strong>only<\/strong> as directed by the instructor (see below).\u00a0<\/span><\/p>\r\n<p>LATENESS AND CLASS BEHAVIOR: Classes begin promptly at the time indicated in the Schedule of Classes. Joining a lecture more than fifteen minutes after the scheduled starting time constitutes lateness and will incur participation deductions. Good classroom citizenship is career professionalism training and must be mastered in this course. Please turn your camera on and respond to prompts. Any behavior deemed disruptive by the Professor, including but not limited to: verbal or written threats, aggressiveness, engaging in non-classwork activities, and in any other way distracting other students from paying attention to their learning experience will be dealt with by asking the disruptive student to leave the classroom. Further action may be taken when necessary.<\/p>\r\n<p>ATTENDANCE: <span style=\"font-weight: 400\">In case of an absence, e<\/span><span style=\"font-weight: 400\">mail the Professor right away to explain, and attend the next Office Hour with any questions. In the case of a sickness or emergency that would result in several absences, email the Professor with an explanation, and consult with them and your Academic Advisor to determine if you should withdraw from the course.\u00a0<\/span><\/p>\r\n<p>GRADING: Grading is based on successful completion of the following assignments and class participation. Assignments must be handed in on time. Points will be deducted for work that is handed in late. There is a maximum allowance of 3 late assignments for the semester. Students cannot <span style=\"font-weight: 400\">resubmit an already graded assignment. No extra credit options are offered for this section.\u00a0<\/span><\/p>\r\n<p><\/p>\r\n<ul>\r\n<li><strong>Syllabus Quiz \u2013 5%:\u00a0<\/strong>This quiz ensures that students have thoroughly read the syllabus and that they understand the course requirements. Students must get 100% (unlimited tries and time) to pass the class, and it must be taken before the 3rd week of the semester on Brightspace.<\/li>\r\n<li><strong>Unit Quizzes \u2013 20%:\u00a0<\/strong>Students will complete three multiple-choice, timed (20minutes) quizzes on the course content (covering materials viewed during and outside of class) on Brightspace.<\/li>\r\n<li><strong>In-class writing \u2013 25%:\u00a0<\/strong>Students will have to write responses to prompts given during class weekly (not listed prior to the session) on Brightspace (100 words<span style=\"color: #000000\"> x 6<\/span>). <span style=\"color: #ff00ff\">The use of generative AI is <strong>not<\/strong> allowed for these assignments.<\/span><\/li>\r\n<li><strong>In-class review writing &#8211; 15%: <\/strong>On week 7, students will be asked to enter a live discussion on a &#8220;surprise&#8221; (not revealed on the class website) short film which we will watch in full in class. Each student must actively participate in the discussion and will be called on. Students absent that day will need to complete the review (on a different &#8220;surprise&#8221;) film, one-on-one with the Professor on Zoom outside of class. The full guidelines and grading rubric can be found <a href=\"https:\/\/openlab.bmcc.cuny.edu\/mes160-s26\/review\/\">here<\/a>.<\/li>\r\n<li><strong>Final presentation (5-7 mins) &#8211; 25%: <\/strong>Each student will give a 7-10 minutes presentation on an animated film or series of their choice (with pre-approval from the Professor) at the end of the semester. Students will need to submit an outline at least 2 weeks prior to their presentation via email (<a href=\"mailto:apinkas@bmcc.cuny.edu\">apinkas@bmcc.cuny.edu<\/a>). the final slides must be submitted on Brightspace. The full guidelines and grading rubric can be found <a href=\"https:\/\/openlab.bmcc.cuny.edu\/mes160-s26\/finalpresentation\/\">here<\/a>. <span style=\"color: #ff00ff\">The use of generative AI is <strong>not<\/strong> allowed for this presentation.<\/span><\/li>\r\n<li><strong>Participation &#8211; 10%:\u00a0<\/strong>Overall attendance and active participation over the course of the semester (participation in the in-class discussions, use of mic and camera on Zoom, lateness etc.).<\/li>\r\n<\/ul>\r\n<hr \/>\r\n<p><span style=\"font-weight: 400\">WEEKLY BREAKDOWN (Subject to change)<\/span> <i><span style=\"font-weight: 400\">[Note: See &#8220;Topics&#8221; menu for a list of films and readings assigned each week. Not everything will be shown in class; students are responsible for reviewing ALL listed material]<\/span><\/i><\/p>\r\n<p><b>Week 1 <span style=\"color: #ff0000\">(Tue 1\/27 &amp; Thu 1\/29)<\/span>\u00a0: Course introduction | Definition and techniques<\/b><\/p>\r\n<ul>\r\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Overview of Syllabus and course materials<\/span><\/li>\r\n<li>What is animation?<\/li>\r\n<li>Persistence of Vision<\/li>\r\n<li>Frame Rate<\/li>\r\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">ASSIGNMENT: Complete the Syllabus Quiz on Brightspace (failure to do so before week 3 will result in 0 points)<\/span><\/li>\r\n<\/ul>\r\n<p><b>Week 2 <span style=\"color: #ff0000\">(Tue 2\/3 &amp; Thu 2\/5)<\/span> : Sequential art, optical toys and early animation<\/b><\/p>\r\n<ul>\r\n<li>IN-CLASS WRITING#1 (Brightspace)<\/li>\r\n<li>Animated Cave Paintings<\/li>\r\n<li>Shadow Puppets<\/li>\r\n<li>Magic Lanterns<\/li>\r\n<li>Optical Toys<\/li>\r\n<li>\u00c9mile Reynaud\u2019s Th\u00e9\u00e2tre Optique<\/li>\r\n<li>Eadweard Muybridge\u2019s Locomotion Studies<\/li>\r\n<li>Arthur Melbourne-Cooper: Pioneer of stop-motion<\/li>\r\n<li>John Stuart Blackton\u2019s Lighting Sketches<\/li>\r\n<li>The End of an Era<\/li>\r\n<li><span style=\"font-weight: 400\">ASSIGNMENT:<\/span> <a href=\"https:\/\/nautil.us\/issue\/11\/light\/early-humans-made-animated-art\">\u201cEarly Humans Made Animated Art:\u00a0How Paleolithic artists used fire to set the world\u2019s oldest art in motion\u201d<\/a>\u00a0article by Zach Zorich + <a href=\"https:\/\/www.youtube.com\/watch?v=2IwhLjj9Hkk\">\u201cThe Master of Shadow Puppets\u201d<\/a> video by Great Big Story (also <span style=\"font-weight: 400\">at the bottom of the week&#8217;s page)<\/span><\/li>\r\n<li><span style=\"font-weight: 400\">ASSIGNMENT: REVIEW FOR QUIZ 1 (will cover content from week1 &#8211; 3)<\/span><\/li>\r\n<\/ul>\r\n<p><span style=\"color: #ff0000\"><strong>No MMP460 on Thursday 2\/12 &amp; Tuesday 2\/17 (No classes scheduled)<\/strong><\/span><\/p>\r\n<p><b>Week 3 <span style=\"color: #ff0000\">(Tue 2\/10 &amp; Thu 2\/19)<\/span> : Beginnings of the Animation Industry<\/b><\/p>\r\n<ul>\r\n<li>IN-CLASS WRITING #2 (Brightspace)<\/li>\r\n<li><span style=\"font-weight: 400\">QUIZ 1\u00a0 (will cover content from week 1 &#8211; 3)<span style=\"color: #ff0000\"> (02\/10)<\/span><\/span><\/li>\r\n<li style=\"font-weight: 400\">\u00c9mile Cohl<\/li>\r\n<li style=\"font-weight: 400\">Winsor McCay<\/li>\r\n<li style=\"font-weight: 400\">Comics and Early Animators<\/li>\r\n<li style=\"font-weight: 400\">Effects of WW I on the Film Industry<\/li>\r\n<li style=\"font-weight: 400\">Bray Productions and Cel animation<\/li>\r\n<li style=\"font-weight: 400\">Fleischer Brothers<\/li>\r\n<li style=\"font-weight: 400\">Distribution<\/li>\r\n<li style=\"font-weight: 400\">Pat Sullivan and Felix the Cat<\/li>\r\n<li style=\"font-weight: 400\">Advent of Sound<\/li>\r\n<li style=\"font-weight: 400\">Stop motion developments<\/li>\r\n<\/ul>\r\n<p><span style=\"color: #ff0000\"><strong><em>Thursday 2\/19 will be an asynchronous session. Please check your email for instructions. If you do not receive the email, please let me know asap (apinkas@bmcc.cuny.edu)<\/em><\/strong><\/span><\/p>\r\n<p><b>Week 4 <span style=\"color: #ff0000\"><strong>(Tue 2\/24 &amp; Thu 2\/26)<\/strong><\/span> : Animation as Modern Art\u00a0<\/b><\/p>\r\n<ul>\r\n<li style=\"font-weight: 400\">Overview of Modern Art<\/li>\r\n<li style=\"font-weight: 400\">Absolute Film<\/li>\r\n<li style=\"font-weight: 400\">Lotte Reininger &amp; the First Animated Feature Film<\/li>\r\n<li style=\"font-weight: 400\">Berthold Bartosch\u2019s \u201cL\u2019Id\u00e9e\u201d \u2013 From Woodcuts to Animation<\/li>\r\n<li style=\"font-weight: 400\">Alexeieff &amp; Parker\u2019s Pinscreen Animation<\/li>\r\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">ASSIGNMENT: &#8220;<\/span>The Cameraman&#8217;s Revenge&#8221; <span style=\"font-weight: 400\">at the bottom of the week&#8217;s page<\/span>\u00a0(read and watch)<\/li>\r\n<\/ul>\r\n<p><b>Week 5<span style=\"color: #ff0000\"> <strong>(Tue 3\/3 &amp; Thu 3\/5)<\/strong><\/span>: Disney &#8211; from Mickey Mouse to Bambi<\/b><\/p>\r\n<ul>\r\n<li>IN-CLASS WRITING #3 (Brightspace)<\/li>\r\n<li>Ub Iwerks<\/li>\r\n<li>Move to California<\/li>\r\n<li>Mickey Mouse<\/li>\r\n<li>Silly Symphonies<\/li>\r\n<li>Marketing<\/li>\r\n<li>Reorganization<\/li>\r\n<li>Studio Practices<\/li>\r\n<li>12 Principles<\/li>\r\n<li>Snow White<\/li>\r\n<li>Features in the 40s<\/li>\r\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">ASSIGNMENT: &#8220;Snow White&#8221; &amp; &#8220;Features in the 40&#8217;s&#8221; at the bottom of the week&#8217;s page <\/span>(read and watch)<\/li>\r\n<\/ul>\r\n<p><b>Week 6<span style=\"color: #ff0000\"> <strong>(Tue 3\/10 &amp; Thu 3\/12)<\/strong><\/span>: Fleischer Studio, Warner Bros &amp; MGM\u00a0<\/b><\/p>\r\n<ul>\r\n<li>IN-CLASS WRITING #4 (Brightspace)<\/li>\r\n<li>OVERVIEW OF IN-CLASS REVIEW WRITING GUIDELINES AND GRADING RUBRIC<\/li>\r\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">The Fleischer Studio<\/span><\/li>\r\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Warner Bros Studio<\/span><\/li>\r\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">MGM<\/span><\/li>\r\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">ASSIGNMENT: Read these two reviews of animated films for inspiration for next week&#8217;s graded in-class review writing exercise: <a href=\"https:\/\/drive.google.com\/file\/d\/1C5z1nykBpvUl7On8dJX5KgUixO5hyX1x\/view?usp=share_link\">&#8220;<\/a>A<a href=\"https:\/\/drive.google.com\/file\/d\/1C5z1nykBpvUl7On8dJX5KgUixO5hyX1x\/view?usp=share_link\">nimated Sequel Finds New Level Of Imagination<\/a>&#8221; by Janet Maslin &amp; <a href=\"https:\/\/drive.google.com\/file\/d\/1xEfHeQznNtARotI0ISzP6C7vQAij56tn\/view?usp=share_link\">&#8220;The Emoji Movie review \u2013 a big thumbs down \ud83d\udc4e<\/a>&#8221; by Charles Bramesco<\/span><\/li>\r\n<\/ul>\r\n\r\n<p><b>Week 7 <span style=\"color: #ff0000\"><strong>(Tue 3\/17 &amp; Thu 3\/19)<\/strong><\/span> : In-class review assignment + WWII &amp; propaganda<\/b><\/p>\r\n<ul>\r\n<li>IN-CLASS REVIEW WRITING<\/li>\r\n<li style=\"font-weight: 400\">Overview of media control<\/li>\r\n<li style=\"font-weight: 400\">Depiction of the \u201cother\u201d in WWII animation<\/li>\r\n<li style=\"font-weight: 400\">War animation<\/li>\r\n<li>ASSIGNMENT: &#8220;Private Snafu&#8221;\u00a0<span style=\"font-weight: 400\">at the bottom of the week&#8217;s page <\/span>(read and watch)<\/li>\r\n<\/ul>\r\n<p><b>Week 8 <span style=\"color: #ff0000\">(Tue 3\/24 &amp; Thu 3\/26)\u00a0<\/span>: International Development in Post War Animation<\/b><\/p>\r\n<ul>\r\n<li>IN-CLASS WRITING #5 (Brightspace)<\/li>\r\n<li style=\"font-weight: 400\">Overview of the Post War Global Context<\/li>\r\n<li style=\"font-weight: 400\">Great Britain<\/li>\r\n<li style=\"font-weight: 400\">Canada<\/li>\r\n<li style=\"font-weight: 400\">France<\/li>\r\n<li style=\"font-weight: 400\">Japan<\/li>\r\n<li style=\"font-weight: 400\">China<\/li>\r\n<li style=\"font-weight: 400\">Soviet Union (USSR)<\/li>\r\n<li style=\"font-weight: 400\">Czechoslovakia<\/li>\r\n<li style=\"font-weight: 400\">The Zagreb School<\/li>\r\n<li>ASSIGNMENT:\u00a0<span style=\"font-weight: 400\">REVIEW FOR QUIZ 2 (will cover content from week 4 \u2013 8)<\/span><\/li>\r\n<\/ul>\r\n<p><span style=\"color: #ff0000\"><strong>No classes 4\/1 \u2013 4\/9 (Spring break)<\/strong><\/span><\/p>\r\n<p><b>Week 9 <span style=\"color: #ff0000\"><strong>(Tue 3\/31 &amp; Tue 4\/14)<\/strong><\/span> : Mid-Century Shifts in American Design<\/b><\/p>\r\n<ul>\r\n<li><span style=\"font-weight: 400\">QUIZ 2 \u00a0(will cover content from week 4 \u2013 8) <span style=\"color: #ff0000\">(4\/16)<\/span><\/span><\/li>\r\n<li style=\"font-weight: 400\">Overview of mid-century art &amp; design<\/li>\r\n<li style=\"font-weight: 400\">Background design evolution at Warner Bros. &amp; Disney<\/li>\r\n<li style=\"font-weight: 400\">Disney Strike<\/li>\r\n<li style=\"font-weight: 400\">UPA Studio<\/li>\r\n<li style=\"font-weight: 400\">The Blacklist<\/li>\r\n<li style=\"font-weight: 400\">Storyboard Studio<\/li>\r\n<li style=\"font-weight: 400\">Rise of animated advertising<\/li>\r\n<li>ASSIGNMENT:<span style=\"color: #ff0000\">\u00a0<\/span>&#8220;Rooty Toot Toot&#8221; <span style=\"font-weight: 400\">at the bottom of the week&#8217;s page <\/span>(read and watch)<\/li>\r\n<\/ul>\r\n<p><b>Week 10<strong><span style=\"color: #ff0000\"> (Thu 4\/16 &amp; Tue 4\/21)<\/span><\/strong>: The Rise of Television<\/b><\/p>\r\n<ul>\r\n<li>IN-CLASS WRITING #6 (Brightspace) <span style=\"font-weight: 400\"><span style=\"color: #ff0000\">(4\/21)<\/span><\/span><\/li>\r\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">DISCUSSION OF FINAL PRESENTATION GUIDELINES AND GRADING RUBRIC<\/span><\/li>\r\n<li style=\"font-weight: 400\">Overview of Television\u2019s Rise<\/li>\r\n<li style=\"font-weight: 400\">Puppets in Early Children Programming<\/li>\r\n<li style=\"font-weight: 400\">New Studios Dedicated to TV Animation<\/li>\r\n<li style=\"font-weight: 400\">Hanna-Barbera Productions, Inc.<\/li>\r\n<li style=\"font-weight: 400\">Educational Programming<\/li>\r\n<li style=\"font-weight: 400\">Product-driven Shows<\/li>\r\n<li style=\"font-weight: 400\">Disney and TV<\/li>\r\n<li style=\"font-weight: 400\">TV Animation for Adults<\/li>\r\n<li style=\"font-weight: 400\">Music-videos<\/li>\r\n<li style=\"font-weight: 400\">Japanese TV Animation<\/li>\r\n<li><span style=\"font-weight: 400\">ASSIGNMENT: FINAL PRESENTATION THESIS OR OUTLINE. Please review the final presentation guideline and grading rubric and submit a thesis or outline <strong>via email (<a href=\"mailto:apinkas@bmcc.cuny.edu\">apinkas@bmcc.cuny.edu<\/a>)<\/strong>. The presentation requires the student to pick an animated film or tv show and analyze it. Students will be asked to contextualize the film in terms of cultural movements, and analyze the role of gender, race, class and ethnicity on the work. The presentation should include slides with text, images and video clips. (addresses SLO #2, #3, #4, and #5) (See guidelines and rubrics) <span style=\"color: #ff0000\">(4\/28)<\/span><\/span><\/li>\r\n<\/ul>\r\n<p><b>Week 11 <span style=\"color: #ff0000\">(Thu 4\/23 &amp; Tue 4\/28)<\/span>: New audiences, early CGI experiments and gaming<\/b><\/p>\r\n<ul>\r\n<li style=\"font-weight: 400\">Postwar formal experimentation<\/li>\r\n<li style=\"font-weight: 400\">Early CGI experiments<\/li>\r\n<li style=\"font-weight: 400\">Overview of 1960s and 70s youth movement<\/li>\r\n<li style=\"font-weight: 400\">Animated feature films for the youth audience<\/li>\r\n<li style=\"font-weight: 400\">From arcade games to personal consoles<\/li>\r\n<li style=\"font-weight: 400\">Types of games<\/li>\r\n<li style=\"font-weight: 400\">Online gaming<\/li>\r\n<li style=\"font-weight: 400\">Indie games<\/li>\r\n<li style=\"font-weight: 400\">Issues in gaming<\/li>\r\n<li><span style=\"font-weight: 400\">ASSIGNMENT: START WORKING ON YOUR FINAL PRESENTATION\u00a0<\/span><\/li>\r\n<\/ul>\r\n<p><b>Week 12 <span style=\"color: #ff0000\"><strong>(Thu 4\/30 &amp; Tue 5\/5)<\/strong><\/span>\u00a0: Disney Renaissance &amp; the rise of CGI\u00a0<\/b><\/p>\r\n<ul>\r\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Disney\u2019s Competition in the US<\/span><\/li>\r\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Disney\u2019s Renaissance<\/span><\/li>\r\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Overview of Early CGI Technology<\/span><\/li>\r\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Pixar<\/span><\/li>\r\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Pixar\u2019s competition<\/span><\/li>\r\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Disney &amp; CGI<\/span><\/li>\r\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Live-Action or Animation?<\/span><\/li>\r\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">The \u201cUncanny Valley\u201d<\/span><\/li>\r\n<li><span style=\"font-weight: 400\">ASSIGNMENT: CONTINUE WORKING ON YOUR FINAL PRESENTATION<\/span><\/li>\r\n<\/ul>\r\n<p><b>Week13 <span style=\"color: #ff0000\"><strong>(Thu 5\/7 &amp; Tue 5\/12)<\/strong><\/span>: Japanese Animation<\/b><\/p>\r\n<ul>\r\n<li style=\"font-weight: 400\">Influence of traditional art<\/li>\r\n<li style=\"font-weight: 400\">Manga and Anime<\/li>\r\n<li style=\"font-weight: 400\">Osamu Tezuka<\/li>\r\n<li style=\"font-weight: 400\">Anime themes and iconography<\/li>\r\n<li style=\"font-weight: 400\">Toei Animation<\/li>\r\n<li style=\"font-weight: 400\">Studio Ghibli<\/li>\r\n<li style=\"font-weight: 400\">Anime and Western audiences<\/li>\r\n<li><span style=\"font-weight: 400\">REVIEW FOR QUIZ 3<\/span><\/li>\r\n<li><span style=\"font-weight: 400\">ASSIGNMENT: COMPLETE YOUR FINAL PRESENTATION (submit slides <strong>on Brightspace<\/strong>)<\/span><\/li>\r\n<\/ul>\r\n<p><b>Week 14 <span style=\"color: #ff0000\">(Thu 5\/14 &amp; Tue 5\/19)<\/span>: Final Presentations<\/b><\/p>\r\n<ul>\r\n<li>QUIZ 3<span style=\"font-weight: 400\"> (will cover content from week 9 &#8211; 13) <\/span>\u00a0<span style=\"font-weight: 400\"><span style=\"color: #ff0000\">(5\/14)<\/span><\/span><\/li>\r\n<li><span style=\"font-weight: 400\">FINAL PRESENTATIONS<\/span><\/li>\r\n<\/ul>\r\n<p><b>Week 15 <span style=\"color: #ff0000\">(Thu 5\/21 &amp; Tue 5\/26)<\/span>: Final Presentations<\/b><\/p>\r\n<ul>\r\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">FINAL PRESENTATIONS<\/span><\/li>\r\n<\/ul>\r\n<hr \/>\r\n<p style=\"font-weight: 400\"><strong>BMCC Policy on Plagiarism and Academic Integrity Statement<\/strong><\/p>\r\n<p style=\"font-weight: 400\">Plagiarism is the presentation of someone else\u2019s ideas, words or artistic, scientific, or technical work as one\u2019s own creation. Using the idea or work of another is permissible only when the original author is identified. Paraphrasing and summarizing, as well as direct quotations, require citations to the original source. Plagiarism may be intentional or unintentional. Lack of dishonest intent does not necessarily absolve a student of responsibility for plagiarism. Students who are unsure how and when to provide documentation are advised to consult with their instructors. The library has guides designed to help students to appropriately identify a cited work. The full policy can be found on BMCC\u2019s Web site, www.bmcc.cuny.edu. For further information on integrity and behavior, please consult the college bulletin (also available online).<\/p>\r\n<p style=\"font-weight: 400\"><strong>Gender-Inclusivity<\/strong><\/p>\r\n<p style=\"font-weight: 400\">BMCC community members have the right to use and be referred to according to their preferred name, title, and\/or personal pronouns. Everyone also has the right to use all spaces according to their self-identification, including restrooms and locker rooms. To learn more about how to change your preferred name and affirm your gender identity at CUNY (including requesting a new ID card and\/or email address), go here: <a href=\"https:\/\/www.bmcc.cuny.edu\/student-affairs\/lgbtq\/\">https:\/\/www.bmcc.cuny.edu\/student-affairs\/lgbtq\/<\/a><\/p>\r\n<p style=\"font-weight: 400\">Anyone who has experienced harassment related to gender or sexual identification, who needs assistance, or who wishes to file a complaint, can contact the Office of Compliance and Diversity: <a href=\"https:\/\/www.bmcc.cuny.edu\/about-bmcc\/compliance-diversity\/\">https:\/\/www.bmcc.cuny.edu\/about-bmcc\/compliance-diversity\/.<\/a><\/p>\r\n<p style=\"font-weight: 400\"><strong>FREE BMCC STUDENT SUPPORT SERVICES<\/strong><\/p>\r\n<p style=\"font-weight: 400\">BMCC is committed to the health and well\u2010being of all students. It is common for everyone to seek assistance at some point in their life, and there are free and confidential services on campus that can help.<\/p>\r\n<p style=\"font-weight: 400\"><strong>Advocacy and Resource Center (ARC) <\/strong><a href=\"https:\/\/www.bmcc.cuny.edu\/student-affairs\/arc\/\">https:\/\/www.bmcc.cuny.edu\/student-affairs\/arc\/<\/a> room S230, 212\u2010220\u20108195, <a href=\"mailto:arc@bmcc.cuny.edu\">arc@bmcc.cuny.edu<\/a>. If you are having problems with food or housing insecurity, finances, health insurance or anything else that might get in the way of your studies at BMCC, contact the Advocacy and Resource Center (formerly Single Stop) for assistance. Please contact us at <a href=\"mailto:arc@bmcc.cuny.edu\">arc@bmcc.cuny.edu<\/a>, call 212-220-8195, or come by the office at room S230. You may also contact the Office of Student Affairs, S350, 212\u2010220\u20108130, <a href=\"mailto:studentaffairs@bmcc.cuny.edu\">studentaffairs@bmcc.cuny.edu<\/a>, for assistance.<\/p>\r\n<p style=\"font-weight: 400\"><strong>Counseling Center <\/strong><a href=\"https:\/\/www.bmcc.cuny.edu\/counseling\">www.bmcc.cuny.edu\/counseling<\/a>, room S343, 212\u2010220\u20108140, counselingcenter@bmcc.cuny.edu. Counselors assist students in addressing psychological and adjustment issues (i.e., depression, anxiety, and relationships) and can help with stress, time management and more. Counselors are available for walk\u2010in visits.<\/p>\r\n<p style=\"font-weight: 400\"><strong>Office of Compliance and Diversity <\/strong><a href=\"https:\/\/www.bmcc.cuny.edu\/about-bmcc\/compliance-diversity\">https:\/\/www.bmcc.cuny.edu\/about-bmcc\/compliance-diversity<\/a>, \u00a0room S701, 212-220-1236. BMCC is committed to promoting a diverse and inclusive learning environment free of unlawful discrimination\/harassment, including sexual harassment, where all students are treated fairly. For information about BMCC&#8217;s policies and resources, or to request additional assistance in this area, please visit or call the office, or email <u>olevy@bmcc.cuny.edu<\/u>, or <u>twade@bmcc.cuny.edu<\/u>. If you need immediate assistance, please contact BMCC Public safety at 212-220-8080.<\/p>\r\n<p style=\"font-weight: 400\"><strong>Office of Accessibility<\/strong> <a href=\"https:\/\/www.bmcc.cuny.edu\/accessibility\">www.bmcc.cuny.edu\/accessibility<\/a>, Students who need academic accommodations in connection with a disability must initiate the request with BMCC\u2019s Office of Accessibility (OA). Students need to register with the Office of Accessibility in order to officially disclose their disability status to the College and to determine eligibility for appropriate reasonable accommodations (including any prior IEPs or 504s). Please contact the OA at the start of the semester (or as soon as possible) to coordinate any accommodation request\/s: <a href=\"https:\/\/www.bmcc.cuny.edu\/accessibility\">www.bmcc.cuny.edu\/accessibility<\/a>, Room N360 (accessible entrance: 77 Harrison Street), 212-220-8180, <a href=\"mailto:accessibility@bmcc.cuny.edu\">accessibility@bmcc.cuny.edu<\/a>.<\/p>\r\n<p>&nbsp;<\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>TITLE OF COURSE:\u00a0World History of Animation COURSE NUMBER &amp; SECTION: MES160-1102, Spring 2026 SCHEDULE: Tuesdays &amp; Thursdays, 11:30AM &#8211; 12:45PM | Online (Synchronous). Please check Brightspace for Zoom link and passcode.\u00a0 PROFESSOR: Anna Pinkas | apinkas@bmcc.cuny.edu | Office hours: Mondays, 9AM -10AM, S-608 (in-person) | Mondays, 3:30PM &#8211; 5:30PM (Zoom, see link on Brightspace) (Feel [&hellip;]<\/p>\n","protected":false},"author":21,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"portfolio_post_id":0,"portfolio_citation":"","portfolio_annotation":"","openlab_post_visibility":"","footnotes":""},"class_list":["post-4","page","type-page","status-publish","czr-hentry"],"_links":{"self":[{"href":"https:\/\/openlab.bmcc.cuny.edu\/mes160-s26\/wp-json\/wp\/v2\/pages\/4","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/openlab.bmcc.cuny.edu\/mes160-s26\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/openlab.bmcc.cuny.edu\/mes160-s26\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/openlab.bmcc.cuny.edu\/mes160-s26\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/openlab.bmcc.cuny.edu\/mes160-s26\/wp-json\/wp\/v2\/comments?post=4"}],"version-history":[{"count":103,"href":"https:\/\/openlab.bmcc.cuny.edu\/mes160-s26\/wp-json\/wp\/v2\/pages\/4\/revisions"}],"predecessor-version":[{"id":6706,"href":"https:\/\/openlab.bmcc.cuny.edu\/mes160-s26\/wp-json\/wp\/v2\/pages\/4\/revisions\/6706"}],"wp:attachment":[{"href":"https:\/\/openlab.bmcc.cuny.edu\/mes160-s26\/wp-json\/wp\/v2\/media?parent=4"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}