{"id":86,"date":"2020-01-08T16:36:49","date_gmt":"2020-01-08T16:36:49","guid":{"rendered":"https:\/\/openlab.bmcc.cuny.edu\/mes152-samplesite\/?page_id=86"},"modified":"2020-07-28T22:25:29","modified_gmt":"2020-07-28T22:25:29","slug":"production","status":"publish","type":"page","link":"https:\/\/openlab.bmcc.cuny.edu\/mes152\/production\/","title":{"rendered":"Production"},"content":{"rendered":"\n<p><em>Film and video production styles are divided into two general categories: &nbsp;multi-camera and single camera productions. &nbsp; This topic examines the differences and similarities between the two.&nbsp; Students should have a basic understanding of both shooting styles,&nbsp; key production personnel, and equipment.&nbsp; Documentary, news and film production should&nbsp; be discussed as subcategories.&nbsp;<\/em><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">\/\/\/\/\/\/\/\/\/\/\/\/ MULTI-CAMERA PRODUCTION<\/h3>\n\n\n\n<p>Types of multi-camera productions: News (with news anchor), Talk shows, TV sitcoms, Soap operas, Reality shows, Competition\/Game shows, Event broadcasts (concerts, sports, conventions, etc\u2026)<\/p>\n\n\n\n<p><strong>Key concepts \/terms<\/strong><\/p>\n\n\n\n<p><a href=\"http:\/\/www.csudh.edu\/televisionarts\/docs\/DMA320-TV-Industry-Personnel.pdf\">Key Production Personnel<\/a>&nbsp;\u2666 The TV Studio \u2666 Studio Equipment \u2666&nbsp;<a href=\"http:\/\/www.techopedia.com\/definition\/476\/chroma-key\">Chromakey<\/a><\/p>\n\n\n\n<p><strong>Resources<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/www.youtube.com\/watch?v=DvDNmU0wCpY\">Behind the Scenes of a CBS Sports Broadcast<\/a>&nbsp;\u2013 a look at a sports show from the Control Room<\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=8zZzdNHY3QE\">Fox 56 Sports Production: Behind The Scenes<\/a>&nbsp;\u2013 from the Control Room &amp; on the field<\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=ZTl6gke9qaI\">Weather Without Chromakey<\/a>&nbsp;\u2013 what the TV weatherman sees from the Studio Floor<\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">\/\/\/\/\/\/\/\/\/\/\/ SINGLE-CAMERA PRODUCTION<\/h3>\n\n\n\n<p>Types of single-camera productions: Feature movies, Documentaries, TV series (dramas &amp; comedies), Music Videos, Commercials, News (with street reporter)<\/p>\n\n\n\n<p><strong>Key Concepts\/ terms<\/strong><\/p>\n\n\n\n<p><a href=\"http:\/\/www.listeninglistening.com\/uploads\/6\/4\/4\/8\/6448263\/crew-roles-and-departments-guide.pdf\">Key Single Camera Production Personnel<\/a>\u00a0\u2666\u00a0<a href=\"http:\/\/www.desktop-documentaries.com\/video-production-equipment.html\">Production Equipment\u00a0<\/a>\u2666\u00a0<a href=\"https:\/\/openlab.bmcc.cuny.edu\/mes152\/green-screen\/\">Green or Blue screen<\/a><\/p>\n\n\n\n<p><strong>Resources<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"http:\/\/cybercollege.com\/tvp062.htm\">Single Camera Production<\/a><\/li><li><a href=\"https:\/\/www.nyfa.edu\/student-resources\/evolution-sitcom-part-2\/\">Evolution of the Sitcom: The Age of the Single Camera&nbsp;<\/a>\u2013&nbsp;by Jack Picone<\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=_I5vV4WKc-o\">The Making of \u201cDo the Right Thing<\/a>\u201d&nbsp;\u2013 this is the entire 1 hour documentary by St. Clair Bourne, featured on the Criterion Collection. &nbsp;A complete behind the scenes look at the making of the film.<\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=9tv9NKu7t1Q\">How to Green Screen a Car Crash&nbsp;<\/a>\u2013 making a special effect using green screen<\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">\/\/\/\/\/\/\/\/\/\/\/\/DOCUMENTARY &amp; NEWS PRODUCTION<\/h3>\n\n\n\n<p><strong>Key concepts \/ terms<\/strong><\/p>\n\n\n\n<p><a href=\"http:\/\/contentmarketinginstitute.com\/2011\/10\/what-is-b-roll-and-why-is-it-so-valuable\/\">B Roll&nbsp;<\/a>\u2666&nbsp;<a href=\"http:\/\/flavorwire.com\/503086\/the-case-for-reenactment-in-documentary-cinema\">Scene Re-enactments<\/a>&nbsp;\u2666&nbsp;<a href=\"http:\/\/www.desktop-documentaries.com\/interviewing-tips.html\">Interviewing Techniques<\/a>&nbsp;\u2666&nbsp;<a href=\"http:\/\/www.videomaker.com\/article\/1798-narration-writing\">Narration Writing<\/a><\/p>\n\n\n\n<p><strong>Resources<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"http:\/\/cybercollege.com\/tvp063.htm\">News &amp; Documentary Production<\/a><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=KNpjvwZPkfQ\">Behind the Scenes at ABC7\u2019s \u201cNews This Morning<\/a>\u201d&nbsp;\u2013 a look at a News Show from the studio floor<\/li><li><a href=\"http:\/\/www.b-roll.net\/today\/about\/what-does-b-roll-mean\/\">What does \u201cB-roll\u201d mean?<\/a>&nbsp;\u2013 the origins of the term&nbsp;\u201cb-roll\u201d<\/li><li><a href=\"http:\/\/documentaries.about.com\/od\/stylesofdocumentaries\/a\/docstyle.htm\">The Historical Development of Style in Documentary Film<\/a>&nbsp;\u2013 by Jennifer Merin<\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">\/\/\/\/\/\/\/\/\/\/\/ FILM PRODUCTION<\/h3>\n\n\n\n<p><strong>Key concepts\/terms<\/strong><\/p>\n\n\n\n<p>\u2666&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/35_mm_film\">35mm Film<\/a>&nbsp;\u2666&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/16_mm_film\">16 mm Film<\/a>&nbsp;\u2666&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Telecine\">Telecine<\/a><\/p>\n\n\n\n<p><strong>Resources<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/www.youtube.com\/watch?v=xVAv0Xx6Un8\">FilmConvert \u2013 Digital vs Film Comparison<\/a><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=BON9Ksn1PqI\">Quentin Tarantino Comments on Digital vs Film&nbsp; \u2013&nbsp;<\/a>YouTube<\/li><li><a href=\"https:\/\/mes152bmcc.files.wordpress.com\/2015\/05\/film.pdf\">Film<\/a>\u2013 from MES 152 Handout Book<\/li><li><a href=\"http:\/\/www.newstatesman.com\/2014\/08\/s-all-folks\">Thats All Folks: What the End of 35mm Film Means for Cinema&nbsp;<\/a>\u2013&nbsp;by Helen Alexander &amp; Rhys Blakely<\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Film and video production styles are divided into two general categories: &nbsp;multi-camera and single camera productions. &nbsp; This topic examines the differences and similarities between the two.&nbsp; Students should have a basic understanding of both shooting styles,&nbsp; key production personnel, and equipment.&nbsp; Documentary, news and film production should&nbsp; be discussed as subcategories.&nbsp; \/\/\/\/\/\/\/\/\/\/\/\/ MULTI-CAMERA PRODUCTION &hellip; <a href=\"https:\/\/openlab.bmcc.cuny.edu\/mes152\/production\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Production&#8221;<\/span><\/a><\/p>\n","protected":false},"author":21,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"portfolio_post_id":0,"portfolio_citation":"","portfolio_annotation":"","openlab_post_visibility":"","footnotes":""},"class_list":["post-86","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/openlab.bmcc.cuny.edu\/mes152\/wp-json\/wp\/v2\/pages\/86","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/openlab.bmcc.cuny.edu\/mes152\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/openlab.bmcc.cuny.edu\/mes152\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/openlab.bmcc.cuny.edu\/mes152\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/openlab.bmcc.cuny.edu\/mes152\/wp-json\/wp\/v2\/comments?post=86"}],"version-history":[{"count":3,"href":"https:\/\/openlab.bmcc.cuny.edu\/mes152\/wp-json\/wp\/v2\/pages\/86\/revisions"}],"predecessor-version":[{"id":275,"href":"https:\/\/openlab.bmcc.cuny.edu\/mes152\/wp-json\/wp\/v2\/pages\/86\/revisions\/275"}],"wp:attachment":[{"href":"https:\/\/openlab.bmcc.cuny.edu\/mes152\/wp-json\/wp\/v2\/media?parent=86"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}