{"id":168,"date":"2020-01-08T17:24:05","date_gmt":"2020-01-08T17:24:05","guid":{"rendered":"https:\/\/openlab.bmcc.cuny.edu\/mes152-samplesite\/?page_id=168"},"modified":"2020-07-28T22:25:29","modified_gmt":"2020-07-28T22:25:29","slug":"shot-reverse-shot","status":"publish","type":"page","link":"https:\/\/openlab.bmcc.cuny.edu\/mes152\/shot-reverse-shot\/","title":{"rendered":"SHOT REVERSE SHOT"},"content":{"rendered":"\n<p>\u201cTwo or more shots edited together that alternate characters, typically in a conversation situation. In<em>&nbsp;<a href=\"http:\/\/classes.yale.edu\/film-analysis\/htmfiles\/editing.htm#22186\">continuity editing<\/a><\/em>, characters in one framing usually look left, in the other framing, right. Over-the-shoulder framings are common in shot\/reverse-shot editing. Shot \/ reverse shots are one of the most firmly established conventions in cinema, and they are usually linked through the equally persuasive&nbsp;<a href=\"http:\/\/classes.yale.edu\/film-analysis\/htmfiles\/editing.htm#98485\">eyeline matches<\/a>. \u201d<\/p>\n\n\n\n<p>\u2013&nbsp;<a href=\"http:\/\/classes.yale.edu\/film-analysis\/htmfiles\/editing.htm\">Yale Film Analysis Course<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/youtu.be\/FiWrkLJDQCQ?t=20s\"><img decoding=\"async\" src=\"https:\/\/mes152bmcc.files.wordpress.com\/2015\/07\/hardeight01.jpg?w=778&amp;h=438\" alt=\"This dialogue between the two main characters at the beginning of P.T.Anderson's \" class=\"wp-image-254\" \/><\/a><figcaption>This dialogue between the two main characters at the beginning of P.T.Anderson\u2019s \u201cHard Eight\u201d is a classic example of a Shot Reverse Shot [<a href=\"https:\/\/www.youtube.com\/watch?v=FiWrkLJDQCQ&amp;feature=youtu.be&amp;t=20s\">Click to watch<\/a>]<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u201cTwo or more shots edited together that alternate characters, typically in a conversation situation. In&nbsp;continuity editing, characters in one framing usually look left, in the other framing, right. Over-the-shoulder framings are common in shot\/reverse-shot editing. Shot \/ reverse shots are one of the most firmly established conventions in cinema, and they are usually linked through &hellip; <a href=\"https:\/\/openlab.bmcc.cuny.edu\/mes152\/shot-reverse-shot\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;SHOT REVERSE SHOT&#8221;<\/span><\/a><\/p>\n","protected":false},"author":21,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"portfolio_post_id":0,"portfolio_citation":"","portfolio_annotation":"","openlab_post_visibility":"","footnotes":""},"class_list":["post-168","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/openlab.bmcc.cuny.edu\/mes152\/wp-json\/wp\/v2\/pages\/168","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/openlab.bmcc.cuny.edu\/mes152\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/openlab.bmcc.cuny.edu\/mes152\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/openlab.bmcc.cuny.edu\/mes152\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/openlab.bmcc.cuny.edu\/mes152\/wp-json\/wp\/v2\/comments?post=168"}],"version-history":[{"count":1,"href":"https:\/\/openlab.bmcc.cuny.edu\/mes152\/wp-json\/wp\/v2\/pages\/168\/revisions"}],"predecessor-version":[{"id":170,"href":"https:\/\/openlab.bmcc.cuny.edu\/mes152\/wp-json\/wp\/v2\/pages\/168\/revisions\/170"}],"wp:attachment":[{"href":"https:\/\/openlab.bmcc.cuny.edu\/mes152\/wp-json\/wp\/v2\/media?parent=168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}