{"id":171,"date":"2020-01-08T17:25:16","date_gmt":"2020-01-08T17:25:16","guid":{"rendered":"https:\/\/openlab.bmcc.cuny.edu\/mes152-samplesite\/?page_id=171"},"modified":"2020-01-08T17:25:37","modified_gmt":"2020-01-08T17:25:37","slug":"jumpcut","status":"publish","type":"page","link":"https:\/\/openlab.bmcc.cuny.edu\/mes152-samplesite\/jumpcut\/","title":{"rendered":"Jump Cut"},"content":{"rendered":"\n<p>\u201cAn elliptical cut that appears to be an interruption of a single shot. Either the figures seem to change instantly against a constant background, or the background changes instantly while the figures remain constant. (\u2026)Jump cuts are used expressively, to suggest the ruminations or ambivalences of a character, or of his\/her everyday life, but they are also a clear signifier of rupture with mainstream film storytelling.\u201d<\/p>\n\n\n\n<p>\u2013&nbsp;<a href=\"http:\/\/classes.yale.edu\/film-analysis\/htmfiles\/editing.htm\">Yale Film Analysis Course<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.youtube.com\/watch?v=9pyBB7y8fDU\"><img decoding=\"async\" src=\"https:\/\/mes152bmcc.files.wordpress.com\/2015\/07\/b9p3-1024x443.jpg?w=778&amp;h=337\" alt=\"The Jump Cut in this sequence of Wes Anderson's \" class=\"wp-image-246\" \/><\/a><figcaption>The jump cuts in this sequence of Wes Anderson\u2019s \u201cRoyal Tenenbaums\u201d suggest the mental distress of the character [<a href=\"https:\/\/www.youtube.com\/watch?v=9pyBB7y8fDU\">Click to watch<\/a>].<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u201cAn elliptical cut that appears to be an interruption of a single shot. Either the figures seem to change instantly against a constant background, or the background changes instantly while the figures remain constant. (\u2026)Jump cuts are used expressively, to suggest the ruminations or ambivalences of a character, or of his\/her everyday life, but they &hellip; <a href=\"https:\/\/openlab.bmcc.cuny.edu\/mes152-samplesite\/jumpcut\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Jump Cut&#8221;<\/span><\/a><\/p>\n","protected":false},"author":21,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"portfolio_post_id":0,"portfolio_citation":"","portfolio_annotation":"","openlab_post_visibility":"","footnotes":""},"class_list":["post-171","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/openlab.bmcc.cuny.edu\/mes152-samplesite\/wp-json\/wp\/v2\/pages\/171","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/openlab.bmcc.cuny.edu\/mes152-samplesite\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/openlab.bmcc.cuny.edu\/mes152-samplesite\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/openlab.bmcc.cuny.edu\/mes152-samplesite\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/openlab.bmcc.cuny.edu\/mes152-samplesite\/wp-json\/wp\/v2\/comments?post=171"}],"version-history":[{"count":2,"href":"https:\/\/openlab.bmcc.cuny.edu\/mes152-samplesite\/wp-json\/wp\/v2\/pages\/171\/revisions"}],"predecessor-version":[{"id":174,"href":"https:\/\/openlab.bmcc.cuny.edu\/mes152-samplesite\/wp-json\/wp\/v2\/pages\/171\/revisions\/174"}],"wp:attachment":[{"href":"https:\/\/openlab.bmcc.cuny.edu\/mes152-samplesite\/wp-json\/wp\/v2\/media?parent=171"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}