{"id":484,"date":"2023-10-17T13:19:50","date_gmt":"2023-10-17T17:19:50","guid":{"rendered":"https:\/\/openlab.bmcc.cuny.edu\/vat-100-intro-to-video-technology-fall23-singletary\/?p=484"},"modified":"2023-10-17T13:19:52","modified_gmt":"2023-10-17T17:19:52","slug":"camera-movements-shots-composition","status":"publish","type":"post","link":"https:\/\/openlab.bmcc.cuny.edu\/fall2023_3000\/2023\/10\/17\/camera-movements-shots-composition\/","title":{"rendered":"Camera Movements, Shots, Composition"},"content":{"rendered":"\n

Camera Movements<\/strong><\/p>\n\n\n\n

A change in frame or perspective is produced by the camera moving. Directors and cinematographers can change the audience’s point of view without cutting by using camera movement. The audience might be psychologically and emotionally affected by particular camera movements. A movie can use these effects to become more compelling and immersive.<\/p>\n\n\n\n

Pan<\/h3>\n\n\n\n

The camera pan<\/a> directs a camera horizontally left or right. The pan camera movement is typically achieved with a tripod head, but can also be done handheld<\/a> or with a stabilizer.<\/p>\n\n\n\n

Pans are often motivated by a character\u2019s actions. They can also be used to reveal new information to the audience.<\/p>\n\n\n\n

Tilt<\/h3>\n\n\n\n

Camera tilts<\/a> are just like pans, only vertical. Tilt camera movements direct a camera upward or downward. Camera tilts can be used to give a character dominance in a shot or to reveal new information to the audience. Tilts enable filmmakers to capture the verticality of a film in moments of awe and spectacle.<\/p>\n\n\n\n

Dolly In \/ Out<\/h3>\n\n\n\n

A dolly-in moves the camera closer to a subject typically with a dolly<\/a> camera movement or Steadicam<\/a>. Push-ins can draw the audience’s attention toward a specific detail. Filmmakers also push-in toward characters to try and infer what is occurring internally. This can be a reaction, thought process, or internal conflict<\/a>.<\/p>\n\n\n\n

The camera dolly out is the exact opposite of the dolly in. A dolly out is a smooth camera movement that moves the camera further away from a subject. This movement causes the subject to grow smaller while simultaneously revealing their surroundings.<\/p>\n\n\n\n

Dolly outs can be used to reveal setting and characters. Emotionally, dolly outs can highlight a character\u2019s isolation or loneliness. <\/p>\n\n\n\n

Zoom<\/h3>\n\n\n\n

Although zooms are technically not a camera movement <\/em>they do create movement within the image. Zooms change the focal length<\/a> of a camera lens<\/a> to either zoom in (magnify) or zoom out (de-magnify) the size of a subject in the frame. <\/p>\n\n\n\n

Zooms are unique because there is no equivalent to it in the experience of the human eye. Zooms can feel artificial or even unnatural. For these reasons, zooms are one of the best camera movements to use in horrors<\/a> and thrillers.<\/p>\n\n\n\n

Tracking shot<\/h3>\n\n\n\n

A tracking shot<\/a> is any shot that physically moves the camera through the scene for an extended amount of time. Tracking camera movement often follows a traveling subject, though they can be used to simply show off the scene. <\/p>\n\n\n\n

Descriptions from https:\/\/www.studiobinder.com\/blog\/different-types-of-camera-movements-in-film\/<\/p>\n\n\n\n

Trucking shot<\/h3>\n\n\n\n

Similar to tracking or dollying, trucking is essentially the same. It may have slightly varied meanings to various people, but in general, it denotes  side-to-side camera movement in relation to the action.<\/p>\n\n\n\n

Pedestal<\/h3>\n\n\n\n

Pedestal means to raise or lower the camera on a tripod or studio pedestal’s central column.<\/p>\n\n\n\n

Crane<\/h3>\n\n\n\n

Crane shots are used with a camera mounted on an upward-and-downward-moving jib. A crane shot often hovers around in the air. The crane shot enables the viewer to depart from a conventional point of view and creates a fresh viewpoint that is naturally cinematic.<\/p>\n\n\n\n

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Photo by Bopha<\/figcaption><\/figure>\n\n\n\n

Camera Movements: an introduction, with examples and explanations. CLICK HERE<\/a><\/p>\n\n\n\n

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Shot Sizes<\/strong><\/p>\n\n\n\n

What is shot size<\/em>?<\/p>\n\n\n\n

The expression “shot size” describes the relationship of the frame’s size to its content. The shot size basically establishes how much of your subject or environment is seen in each given shot. The scene’s rhythm and visual language are influenced by the combination of various shot sizes.<\/p>\n\n\n\n

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